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United Kingdom
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10 x 10 in ($50)
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Cloudy Bay was the name of my father's boat and this painting was the first from my "Ash Blooms in the Blackwater" series. The paintings came about as a response to the death of my father in August 2017. The title of the project is born from the process of scattering his ashes in the Blackwater a river that runs out into the Clyde Estuary through the small village Blackwaterfoot on the Isle of Arran. It was here my father would moor his boat Cloudy Bay and would often land his catch of lobster, crab, pollock and mackerel. My mum would say the sea was his spiritual home, so it seemed fitting that this would be the place to scatter his ashes. Caught by the current each pour of the ashes sank and swirled and seemed to bloom, expanding, dancing on the current taking form against the dark of the water and sinking, elegantly from view. I remember being surprised how beautiful it looked, then guilty that something that appeared to me as beautiful had extracted a heavy price. Maybe that was the only way I could balance the loss of my father by finding beauty and elegance in the random ash blooms in the water. I researched heavily to find a medium that would allow for the freedom and accident that reflected the random currents and flow of the river. When I came across the use of resin and the idea of pouring the medium onto the surface it seemed a natural fit for what I was hoping to achieve.
Print:Giclee on Fine Art Paper
Size:10 W x 10 H x 0.1 D in
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United Kingdom
My creative practice now primarily involves the creation of emotionally charged wall art. I am familiar with several creative disciplines and will incorporate one or a variety of mediums dependent upon the concept. When my father got ill, it was difficult for me to interpret the visual decline of my dad and my emotional state. I had to find a new visual language for me one which would allow me to express thoughts, feelings and emotions. It wasn't until I was scattering his ashes that I saw a path open for me. As his ashes entered the dark waters, I was struck by their poetic majesty as the currents danced and pulled at his ashes in a random freeform abstraction. These ash forms haunted me in my grief and loss for a long time afterwards. I had to find a way to preserve and express the beauty and the sadness. After a year of research, I settled on epoxy resin with paints and inks. This has several advantages: 1. It took me away from the more conceptual side of my work. 2. Its very nature allows for a more freeform approach to creative expression. 3. I was learning a new technique and therefore broadening my creative lexicon. 4. It allowed for the creation of sellable artworks, rather than the limited and expensive conceptual path I had been struggling with in securing funding without sacrificing the final artwork aesthetic. Publications: 1986: X Times A one-off magazine promoting the practices of multimedia within the disciplines of fine art [editor and contributor] in the collection of St Martins School of Art Library Prizes: 1988 Atlantida Travel Prize London. Best work in-show.
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