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Cri encre sur papier 1 Print

nathalie rodach

Switzerland

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12 x 16 in ($95)

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About The Artwork

Cries towards our inner mothers, red ink on paper. On the paths of life, putting my gaze on the moments that punctuate them and create them, I held on a breath, the prayer which everywhere leads us, fearful. The prayer turn into a cry for our mothers who abandon us by giving birth. We confuse them with God. We have lost ourselves. In all the languages, in all the faiths. Looking above the heavens for what lies within us. We have lost ourselves. In dissecting what we are made of, we have lost ourselves. But if we are able to patiently reconstruct the doubt and fragility which defines us, putting love back in our hands, resuming with the divine what is within us, we hear our cry. The cry of Man.

Details & Dimensions

Print:Giclee on Canvas

Size:12 W x 16 H x 1.25 D in

Size with Frame:13.75 W x 17.75 H x 1.25 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Visual artist, I tell stories. Questioning the relation between the Human being and his destiny, everything is an excuse to resonate. I build trees carrying the wisdom and ignorance of the designate ones. Their past, their present, their future and all the possibles escorting them. The life going through us, the one we decide and the netting holding us back. I weave links between spiritual, organic and trivial. I explore life paths, embroil the woman’s and man’s wonders, the changing seasons, the flight, the magic of encounters. My tools are the fruits of chance, of soil or of humans. The world echo only counts. Patiently, I dissect and share what the leaving is. Artist of the invisible, I work in Geneva (Switzerland) and Annemasse (France) and use introspection through her symbolic universe : memory and identity matrix trees ; multiple branches coming out from those genealogies, bearing their sweet or bitter fruits ; life accidents redefining the lines. Tirelessly I am looking for truths born from experience. Frames, totems, modeling clay paintings but also sounds environment delicate fabrics, beads and gaza embroideries, aerials books, installations of bronzes crowds, sculptures, video and now theatre setting, everything gives evidence to her necessity to go over specific stories.

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