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VIEW IN MY ROOM

DISORDER: THE IMPORTANT IS... Print

Alain Rouschmeyer

France

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About The Artwork

For him, the day is far from over, but the lakeside has become his favorite retreat before his long evening going from table to table selling his carefully wrapped roses one by one. As has been customary for some time, a familiar nostalgia brings him to this often deserted square just as he has just finished his first tour. With his large grocery bag and the bucket of flowers beside him, he lies down, seemingly oblivious to his surroundings. And today, seeing him in his usual posture, I wonder: the important thing is ... the laughing seagull, the telephone and its possible messages, the mist which blurs the border between the sky and the water , or only the rose?

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Look, observe, feel and imagine, as if to better perceive things in life and everyday life. The artist from an architectural universe never stops understanding and allowing himself to be seduced by the human journey in given spaces with this alternation of place and posture. The simplicity of a pose that becomes complicit in a space or a space that sublimates the presence of a passage. Like a love story, a particular attitude or a body whose meanings are sometimes unknown. Interpret, script, as if to better define fields of the possible between interior and exterior. This dimension which challenges the inside and the outside, the self and the others, order and disorder, fullness and emptiness or even image and history. These opposites that leave marks and determine how we perceive them. The artist plays with the decor, blurring it as well as sublimating it. Presence or absence as if to give free rein to the imagination of a short one-act story or a three-part triptych. This figurative waltz is enriched by the sketch of a stolen moment, sometimes supported by symbolic graphics that redefine the limits of these opposites to reveal a distinctive evidence. Like an exacerbated passion, the composition is an integral part of his work and complicit in making the subject live in its medium by involving it in its format. Like unfinished lace, between classicism and timelessness, we are invited to appropriate living spaces linked to our walks.

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