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VIEW IN MY ROOM

Forged Conveniences Print

Vague Reporter

Brazil

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About The Artwork

This is a mixed media piece, assembled from painted art boards depicting variations of a human face, combined in a single image by layering multiple photographic exposures. This piece is part of an ongoing study that I call "dynamic portraits". The study consists in layering multiple depictions of diverse faces in various states in such a way that appears to portray a single subject. The resulting ambiguities tend to impose on the viewer an involuntary, unsettling drive to attempt and narrow the chaos down to a single facial expression. This proves impossible given the permanent availability of choices, resulting in an image that never seems entirely static. Some figures seem to display ambiguity of gender or race as well. I feel that this piece shows an ethnic ambiguity that is accentuated by the choices of color. For this reason, I inscribed on the image four verses about a certain kind of violence that relies on ambiguities to silence the consciousness of accomplices: racism. The title attempts to stress the little recognized fact that any perceived conveniences produced by privilege are in the long run proven cost-ineffective and therefore false.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:9 W x 12 H x 0.1 D in

Size with Frame:14.25 W x 17.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My inspiration comes from observing how contemporary society is in an accelerating process of moving from real life to symbolic representations of life. I make use of mixed elements of communication media as art materials, even as those become increasingly immaterial. In this new reality I do not see many practical distinctions between word, sound, color, and shape. All are equally sanctioned weapons on the contemporary battleground of meaning. I make art out of the elements we now make life with, which is why in my work you may see the news, the ads, the symbols. You may see verses rushing through crowded spaces. You may hear the city as an open opera of homeless words and notice wordless faces. From physical to digital and back. I investigate and report. The vagueness of it all, depicted as faithfully as I can.

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