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Germany
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10 x 8 in ($70)
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White ($80)
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Being a pianist myself, encountering the silent film „The Hands of Orlac“ was an inspiration for a series of monochrome drawings and paintings about metaphors for piano playing and using one’s hands in general. The project touches the relation between body and mind, the estrangement from parts of the body, and also the feeling of a part of oneself standing in for the whole. „Hands as if Controlled by an External Force“ depicts an outcry in the moment of realization that what seemed to be „mine“ is remotely-controlled. In „Hands of Orlac“ this Controller is a typical expressionist-silent-film-bad-character roping the movie hero, a pianist played by Conrad Veidt, into the delusion, that the musicians new hands, gained by an emergency operation from a hanged murderer, take over control. A turn of direction in the flow of will and intuition that frustrates first of all playing but then love and life, too. To me, this strange story these days has it’s counterpart in the tablets and phones whose inner worlds willingly take control, if we let them. There is a happy end, in the movie... The beautiful work, changing in it’s character between drawing and painting, comes on it’s original 100 x 100 cm drawing board, stretched to it by wet bonding tape. You are free to take it off the panel or—as the artist himself does—see the latter as an integral part, adding to the artwork’s performance.
Print:Giclee on Fine Art Paper
Size:10 W x 8 H x 0.1 D in
Size with Frame:15.25 W x 13.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Germany
Christian Kabuß is an internationally established German artist and musician. He studied Medicine at the University of Rostock, then went on to Kunsthochschule Berlin-Weißensee, Accademia di Belle Arti di Venezia and Moholy-Nagy University of Arts and Design Budapest to practice Fine Art. The artistic language within his paintings is deeply linked to a phenomenological approach to bodiliness, the freedom of subconscious artistic creation, and the theoretical and practical considerations of Design. Kabuß has exhibited in Germany and abroad. His works are present in regional, national and international collections. It is his aim to work as honest as possible, and he tends towards imagery, which is embedded in Lebenswelt, and sound. As a pianist, he performs small intimate concerts. His music is soft, sometimes freely improvised and portrays a sense of a parallel-world. Exhibitions in Italy, Sweden, Germany, China, and Japan.
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