104 Views
3
View In My Room
Philip Leister
Fine Art Paper
12 x 6 in ($40)
White ($80)
104 Views
3
Artist featured in a collection
Welcome to your life There's no turning back Even while we sleep We will find You acting on your best behavior Turn your back on mother nature Everybody wants to rule the world It's my own design It's my own remorse Help me to decide Help me make the most Of freedom and of pleasure Nothing ever lasts forever Everybody wants to rule the world There's a room where the light won't find you Holding hands while the walls come tumbling down When they do, I'll be right behind you So glad we've almost made it So sad they had to fade it Everybody wants to rule the world I can't stand this indecision Married with a lack of vision Everybody wants to rule the world Say that you'll never, never, never, need it One headline, why believe it? Everybody wants to rule the world All for freedom and for pleasure Nothing ever lasts forever Everybody wants to rule the world ‘Everybody Wants to Rule the World’ by Tears for Fears Songwriters: Roland Orzabal / Ian Stanley / Chris Hughes "Everybody Wants to Rule the World" is a song by English pop rock band Tears for Fears. It was written by Roland Orzabal, Ian Stanley, and Chris Hughes and produced by Hughes. The song was first released on 18 March 1985 by Phonogram, Mercury, and Vertigo Recordsas the third single from the band's second album, Songs from the Big Chair (1985). "Everybody Wants to Rule the World" is a new waveand synth-pop song with lyrics that detail the desire humans have for control and power and centre on themes of corruption. Music critics praised "Everybody Wants to Rule the World" in their retrospective reviews, with some ranking the song among the decade's best. Along with "Shout" (1984), it is one of the band's signature songs. An international success, the song peaked at number two in Ireland, Australia, and the United Kingdom and at number one in Canada, New Zealand, and on the US Billboard Hot 100. It was certified gold by both Music Canada (MC) and the British Phonographic Industry (BPI). Nigel Dick directed the music video, which received promotion from MTV. It shows bassist Curt Smith (who sings lead vocal) driving an antique Austin-Healey 3000 sports car around Southern California intercut with shots of the band performing the song in a studio. In 1986, the song won Best Single at the Brit Awards. The group re-recorded the song as a charity single for the Sport Aid campaign. Songs from the Big Chair is the second studio album by English pop rock band Tears for Fears, released on 25 February 1985 by Phonogram Records. The album peaked at number two in the UK and at number one in the US, becoming a multi-platinum seller. Songs from the Big Chair spawned the commercially successful singles "Mothers Talk", "Shout", "Everybody Wants to Rule the World", "Head over Heels", and "I Believe”. Tears for Fears are an English pop rock band formed in Bath, England, in 1981 by Roland Orzabal and Curt Smith. Founded after the dissolution of their first band, the mod-influenced Graduate, Tears for Fears were initially associated with the new wavesynthesizer bands of the early 1980s. Later, the band branched out into more mainstream pop and attained international chart success. Tears for Fears were part of the MTV-driven Second British Invasion of the US. The band's debut album, The Hurting (1983), reached number one on the UK Albums Chart. Their second album, Songs from the Big Chair (1985), reached number one on the US Billboard 200, achieving multi-platinum status in both the UK and the US. Songs from the Big Chair contained two Billboard Hot 100 number one hits: "Shout" and "Everybody Wants to Rule the World". The latter song won the Brit Award for Best British Single in 1986. After the release of their platinum-selling third album, The Seeds of Love (1989), Smith and Orzabal had an acrimonious split in 1991. Orzabal retained the Tears for Fears name as a solo project, releasing the albums Elemental (1993) and Raoul and the Kings of Spain (1995). Orzabal and Smith reconciled in 2000 and released an album of new material, Everybody Loves a Happy Ending, in 2004. The duo have toured on a semi-regular basis since then. After spending almost a decade in development, the band's seventh album, The Tipping Point, has been announced for release in February 2022. Source: Wikipedia
2021
Giclee on Fine Art Paper
12 W x 6 H x 0.1 D in
17.25 W x 11.25 H x 1.2 D in
White
Yes
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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"
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