VIEW IN MY ROOM
It's late September and the eyes fly from the face like dry leaves from the autumn trees. Nature doing it's thing and melting like a candle at midnight, leaving behind a quiet sadness of lost hope, lost dreams, and a deep longing for the youth of spring. A monochromatic sentiment to dress up your supremely shabby surroundings, Late September may be just the touch of color your life needs. A reminder to never give up on your dreams, no matter how bad they are. The neutral tones of Late September are perfect for marketing your house or condo..consider this piece for home staging, and let the bidding war begin. Original Acrylic on Canvas by Los Angeles Artist, CJ Wild 16x20 Stretched Unframed
Original Created:2014
Subjects:People
Materials:Canvas
Styles:Pop ArtStreet ArtSurrealism
Mediums:Acrylic
Print:Giclee on Fine Art Paper
Size:8 W x 10 H x 0.1 D in
Size with Frame:13.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United States
ARTIST"S BIO SALES- CONTACT fineartdealer@yahoo.com online at The Wolf Gallery, Los Angeles www.thewolffineart.com C.J. Wild is a Los Angeles based artist working primarily in acrylic on canvas. His work is a collection of imaginative characters, some are based on real people while others exist only in the cross walks of L.A. or on his canvas. His pieces have a colorful cartoonish quality with a unique, unrefined style, somewhere between pop and lowbrow, decidedly outside. A touch of humor is often found in his works while others exercise the viewers imagination. Through their fictional nature, the artist enjoys the freedom of bending the rules, and allowing the same freedom to the viewer; to see and feel what they wish and interject their own interpretation. "I was trained as a graphic designer, with a high use of tools for tightness and precision. You would probably not guess that, but I tend to like a graphic quality in my work. I try to keep my surfaces flat, somewhat like a simple silkscreen, which looks simple, but can be surprisingly challenging at times. I experiment with a lot of glazing and I can get a nice plastic, toy-like feeling which I'm after. I've been in the art world and there is an intimidation factor and seriousness which I have always struggled with. Knowing and working with so many artists personally, I have often found the people behind the work so much more approachable than some of the work itself. I've found the most dismissive and most playful work collected by the more serious collectors. Newer collectors tend to stay with safe bets, that look serious. I want my pieces to be approachable, and accessible, even if they're not for everybody. I'm not aiming for any museum interest. There is a playful element to my work, and even some of what I consider darker pieces wouldn't look out of place in a child's room. Again I try to capture a toy-like quality, with an almost manufactured plastic feel, like something you would want to pick up and play with. I can be serious about my work, and often spend ten or fourteen hours straight painting, but "serious" is never the first adjective that come's to mind. There is definitively a mental or physchological quality to it. I love Monet for example.. Technically what he was doing was fascinating, but the cerebral element of painting a haystack or a wheat field, moreover contemplating a field or a haystack, as a viewer, seems a bit boring.
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