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Light and Motion Print

Burhan Ersan

Turkey

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8 x 12 in ($40)

8 x 12 in ($40)

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About The Artwork

RENG-İ SU Under the guidance of the traditional art of marbling, which dates back to the Shaman tribes, modern people and It is a quest to connect with art. The abstract approach at the core of the Ebru tradition is today's technical By taking advantage of the developments of a visual language of primitive art, It is an effort to re-establish. Art creation involves not only the artist and his works, but also goes further and interacts with his audience. It also aims at integration. On the basis of the spiritual philosophical approach of eastern arts, western He moves towards the authority achieved by his art. Go abstract using the power of colors and the flow of water He tries to reach and create abstract images. The artist's energy to express himself, It aims to directly reflect the creative contributions of water. Pure reality reveals itself differently expressing it through forms and, as a result, allowing instant contact with the unknown. provides. Color-i Water, with the fluidity of water, is a journey into the unknown. The journey is a method of reaching wholeness and non-judgment through visual language. As a result, Reng-i Su is the visual language of establishing an essential bond between tradition and today. Reng-i Su is a collection of long works and essays by artist Burhan Ersan, which took part in many exhibitions. In the end, it is the name he gave to the set of techniques he developed.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:8 W x 12 H x 0.1 D in

Size with Frame:13.25 W x 17.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

In addition to his non-stop poetic studies after completing higher education, he has begun making visual studies that aim to reveal unknown fields of Zen-based action painting and its similarities to the paper marbling tradition in the village where he lived in seclusion since 1990s. At this point, he focused on the abstract language of poetry, its relationship and intersection points with painting. He tended towards transferring fluid and improvisational methods of poetry to paintings. He developed new techniques to visualize images and form an abstract language based on ancient techniques and experiences with the aim of conveying his own poetic language to visualization. He decided on “Reng-i Su” studies that enrich visuality and traditional techniques with modern ones to reach directly to the abstract as a consequence of his research on folk arts and traditional arts. As a result of these studies, he developed various materials and techniques, particularly on canvas, by heading towards rendering colour stories and uniting the approaches of today’s abstract painting with our traditional abstract language that has developed notionally since the beginning. He held various domestic and international exhibitions. He conducted studies towards the unity of art and society by holding exhibitions with his students in support for “Hope for Cancer Association”. He participated in various seminars and congresses, analyzing the relations between abstract paintings and paper marbling, and gave conferences that set up the theoretical basis of the efforts in creating a Turkish painting out of a paper marbling and poetry traditions under the title “from adornment to art”. He canalized his lectures towards studies on “art and soul”, extending such studies by including abstract approaches of the Ancient East in his studies. One of the founder members of Güneşe Resim Association (Beyoglu Plastic Arts Association) and a member of Upsd, Burhan Ersan had his interviews and programs broadcasted on various media institutions.

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