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Mountains above El Durazno Print

Pierre Guichard Laeuli

Chile

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12 x 6 in ($40)

12 x 6 in ($40)

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About The Artwork

This painting took me a long time, it will surprise no one. It represents a small part of a mountain that I can see from the window of the workshop, located above the village of El Durazno. At the end of the afternoon, the light highlights particular reliefs, which give me the desired composition. This work is in line with my current concerns: playing with composition to offer a work with two readings, figurative and semi-abstract. I would like only composition and color to matter. Regarding this one, it is just the representation of a moment, rather short, of the exposure of these mountains to the light of the sun, the color of these rocks changing all the time, between their darkness at dawn, the bluish a little purplish in the middle of the day, and ocher and sepia in the late afternoon. The preparatory drawing consisted of a freehand outline drawing (with measurements of a few attachment points), the details were drawn as the painted area advanced. The base color is a preparation of burnt umber, orange and ocher, then declined in more or less light tones. It could have been a monochrome, if the darker areas had not been painted in Prussian blue. The frame is of my production, the canvas is a cotton canvas (with a little synthetic) treated with 4 layers of delicately sanded gesso.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:12 W x 6 H x 0.1 D in

Size with Frame:17.25 W x 11.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I'm a French painter and engraver, born 1954, living en Chile for 12 years. The required level of skill to make good etchings allowed me to become a more demanding paintor. I like the technical challenges of painting and engraving. I have been teaching painting in Chile for 10 years. Figuration for etching, hyperrealism and expressionist abstraction for painting are what I prefer to do. Engraving: My work is done in at least two stages: a plate for the image support, and another for tattoos. This superposition allows me to create encounters between cultures that have never met (example: the mask of Tutankamon with Ashentis tattoos). My goal tends to renew the view that the viewer has on the various elements. Abstract painting: The Chilean culture made me know runes, which have lost their original meanings and acquired here a magical dimension. I abstractly report the magical meaning of these runes. Hyperrealism: In my landscape paintings (I fell in love with pampas and Chilean deserts) I try to erase the effects specific to photography rather than trying to approach a photographic rendering. I do not want people saying "it looks like a picture" but "it looks like reality". But as nature does not care much about pictorial rendering, the reality is rarely as it appears on the painting. Especially since I usually add a detail denoting the human presence.

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