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14 x 21 in ($217)
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ABOUT THE ARTWORK
El tríptico busca funcionar como una trinidad tétrica del poder, hace uso de iconografía sacra con las aureolas y la persignación de las figuras laterales mientras los magos al centro construyen una estructura imaginaria como puente entre el abismo. Las figuras del Hambre y la Muerte representan la capacidad dúctil de transformar tales atributos en elementos simbólicos de dominación en calidad de un capital psicológico que el discurso del poder fáctico en turno moldeará bajo sus intereses, pues a lo largo de la historia permanecen inmutables mientras por fuera se transforman siendo el hambre actualmente el representante de la escasez artificial, el goce maquilado y el deseo frívolo y voraz institucionalizados en la sociedad de consumo, la muerte a su vez resignificándose bajo la inercia del escenario que lo solicita, siendo a veces vía de expiación, elemento de sacrificio por el bien de la patria, o ente maligno que redobla con la sugestión de su presencia los esfuerzos del hedonismo por maquillar y edulcorar el escenodrama de la realidad para ocultarla, por otro lado, la magia es el tejido ilusorio del discurso dominante, piedra angular del dogma ficcional en turno, fundamento de la arquitectura de la realidad.
Original Created:
2020
Subjects:
Materials:
Styles:
Mediums:
DETAILS AND DIMENSIONS
Print:
Giclee on Canvas
Size:
14 W x 21 H x 1.25 D in
Size with Frame:
15.75 W x 22.75 H x 1.25 D in
Frame:
White
Canvas Wrap:
Black Canvas
Ready to Hang:
Yes
Packaging:
Ships in a Box
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:
Printing facility in California.
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I am Elías Pinto Casanova from Mexico. My first intention was to be an illustrator, but I turned towards the plastic arts when I realized the discursive possibilities and the freedom they offer to transmit an idea with all the subjective nuance oriented towards expressive purposes. I am convinced that art is poetry applied to different disciplines, both of time and space, since its purpose is to make ideas attractive to the senses and at the same time they collect the feeling of a historical moment, therefore they are a chronicle of the subjectivity of an era, integral social heritage of humanity as it consciously or unconsciously collects the contributions of philosophy and science, forming a kind of trinitarian pillar of the material-intellectual progress of the species. For this reason, I seek to capture from a mythical-poetic perspective the phenomena and events of my time, to translate visually supported by figuration and geometric abstraction to enhance suggestion, and that is why through this combinatorial capacity I address the possibilities of an idea in pictorial series. With the hybridization of tradition and avant-garde that reinterprets the past and interprets its present as a letter, as a chronicle or inspiration for the future.
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