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Not an invitation Mixed media on hand stretched linen With hand built frame I wanted to speak to the theme and message of the whole show while bringing into focus the visual aspect as an image and scenario which all too often represents misinterpreted consent. All too often there are sessions like this in movies (which often depict real life) that turn into sexual activity, exploiting, unwanted/unwelcome touching, and even rape. I painted the woman’s sexual organs in a juxtaposed psychological manner. It serves as an indicator in this piece. The green, we associate with “GO”, but if you really pay attention that green is an “X”. So many times things are often misinterpreted due to our own selfishness, desires and not seeing with our “eyes”. Ironically in some cases, the subject matter often doesn’t even fit into our own tastes or ideals of beauty. Despite that, we use the GREEN as an excuse to GO fulfill our own selfish physical desires, but what the subject is really/ultimately conveying, even though the indicator isn’t RED, is an obvious NO. In summary, the subject is volunteering to pose nude for the painting session, but nothing beyond that. The posing is neither an implicit contract to anything more, nor is it an invitation to anything further.
Original Created:2022
Subjects:Body
Materials:Linen
Styles:FolkPop ArtNeo expressionism
Mediums:AcrylicInkSpray Paint
Print:Giclee on Fine Art Paper
Size:10 W x 10 H x 0.1 D in
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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I am a self taught artist that has been creating all my life. I remember as little boy sitting at the kitchen table to watch my father paint with charcoal and oils. So my first works as a little boy were either in pencil or oils. But over the decades, my creative process has evolved from folk art to abstract to my current fascination and love of both pop art and shock art. My work begins with inspiration. Whether it’s from images of the past. An experience or obstacle I am trying to work through or overcome, a color, a revisitation of a previous piece, etc. My current pop art and outsider art features humor, to add to the experience, make light of the situation, shed light on the outcome or the situation, and eventually act as a catalyst to the viewers thought process and realization of the outcome as it pertains to each viewer. I have Asperger's (which for some reason does not appear in the iPhone predictive text... but Dunkin’ Donuts does!). So unless the interaction AND situation is exactly like a previous one from the past, I have trouble interpreting human interaction, cues, and emotions. These include facial expressions, tone of voice, body language, etc. If I happen to notice them, these subtle cues leave me wondering for hours, even days about what they meant. And sometimes even the most obvious of cues have me trying to interpret them for a long time. I have trouble “reading between the lines”. Therefore, I have both a natural curiosity of and fascination for human interactions, how people respond.. human emotions and expressions. I find some even futile, humorous or unnecessary, even though he has a hard time interpreting them. I do however, find it easier to notice when a person expresses genuine sincere joy and appreciation (although at times even that is hard to interpret).
Artist featured by Saatchi Art in a collection
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