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"Palacio Abierto o El sueño de un pintor amigo" Print

Arturo Prins

Spain

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About The Artwork

Sueño de Jose Luis Serzo Estabas en una casa vacía muy grande… estabais los tres, Santiago, Tú, y la energía de Miguel Ángel González Granado. Veía que habías pintado un cuadrazo… levantaba la vista y veía una influencia mutua de Miguel Ángel, recíproca y nutriente. Un cuadro ornamental, hiperpinturoso…. Trabajabas con simetrías en un relieve grande, rectangular dos 130 por 200 cm o 150 por 230 cm. La pintura era esponjosa y comestible, carnosa pero no agresiva, suave, cremosa y armónica en colores y composición, como una tarta… tu quería seguir transformándolo y yo decía decía que pararas. Andabas trajinando como seguir, pero te decía que con poco más ya estaba resuelto.… Un cuadro casi arquitectónico, influenciado por el estilo de Miguel Ángel, pero una de una ornamentación arquitectónica, como un cuadro de Miguel Ángel pero más geometrizado, menos orgánico…. podría ser incluso una entrada a un castillo fantasía …. Se confundía interior y exterior…no era un paisaje ni un castillo, era todo y todo se confundía….entonces cuando lo intento coger se transformó en algo tridimensional y habías construido con pintura un salón interior….el salón era poco minucioso… tenía un toque un toque naif todo... un Rosseau pintando con pegotones y de un modo simétrico.... simplificado porque tenía una parte muy pinturosa que no dejaba contemplar mucho detalle...era como un salón en 3D... un cuadro escultura y habitáculo... cuadro interior que tenía relieve…. todo tonos verdes azules, blancos, violáceos y rosados…fuera de la habitación los tonos eran muy coloridos y llenos de detalles.... A tu sueño Jose!

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

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ARTIST STATEMENT As you will see, my work is lacking of a definable style, it is rather eclectic, jumping from figurative to abstract, what I call a nomadic style. I deliberately saunter from one form to another, creating pictures that are each one of them a different adventure: metaphysics, symbolism, an esoteric, expressive and mysterious cosmogony, sometimes blended into naïve humor to soften the transcendent. Works that transmit certain nostalgia of future. An invisible energy, childish at times, with certain eclectic spiritualism, building bridges between Eastern and Western cultures. I believe in a invigorating solar art that brings inner comfort, pleasure to senses. A necessary and urgent goal to paint, draw, photograph or film everything which rejects darkness and deadly forces. My work aims a radical and vital aesthetics research of energy, enhancing visual hospitality, based on warmth and color. These are allegories mostly born from my dreams, visualizations during meditation, mixing the shallow and the profane with the infinite space and the transcendence. “This wide range of interests allows the message to be construed in equivalent eclectic procedures, escaping any traditional classification because it mutates constantly. However, Prins´ work is not harmed by this confusion of styles, on the contrary this anarchy and temporality, rewards him with an unusual freedom of movement, very much appreciated by some of art critic colleagues upon giving him awards. He uses a variety of techniques which go from collage, sketches, painting (watercolor, oil) to digitalization and photography.” (Review by Marcos Ricardo Barnatan, Supplement Metropolis from the newspaper El Mundo) Denying the visual commitment thematic coherence, not wearing the coveted wedding ring with no particular aesthetic, but several, a stylistic debauchery. This certainly has been punished in the art world with ostracism. What really means to me art? Game and discipline, freedom and rebellion redoubled in a constantly reinventing of myself.

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