VIEW IN MY ROOM
Chile
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Fine Art Paper
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9 x 12 in ($40)
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White ($80)
It’s a landscape that I captured during a walk in the Chilean pampas, near my home. It has all the ingredients of the landscapes of this region: pebbles that surface on the clay soil, blocks of stone that have rolled down the slopes of the cerros, trees that try to resist the drought, a sun that marks very shadows. clear, and no visible human presence. The canvas was large enough for me to try working with a spatula, I think I obtained the desired result: a certain roughness of the surface, a relief of the medium which despite everything fits very well into the whole and gives a little blur. And an abandonment of precision which, ordinarily, is my obsession. The great difficulty of this type of landscape is caused by the variety of greens, from the most intense to the palest. But apart from this particularity the palette is quite simple: umber, sienna, gray based on candle black, titanium white, and the cerulean blue of the sky. I based the composition on the mass of the rock in the foreground, as if it weighed so much that the canvas had to stand upright.
Print:Giclee on Fine Art Paper
Size:9 W x 12 H x 0.1 D in
Size with Frame:14.25 W x 17.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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I'm a French painter and engraver, born 1954, living en Chile for 12 years. The required level of skill to make good etchings allowed me to become a more demanding paintor. I like the technical challenges of painting and engraving. I have been teaching painting in Chile for 10 years. Figuration for etching, hyperrealism and expressionist abstraction for painting are what I prefer to do. Engraving: My work is done in at least two stages: a plate for the image support, and another for tattoos. This superposition allows me to create encounters between cultures that have never met (example: the mask of Tutankamon with Ashentis tattoos). My goal tends to renew the view that the viewer has on the various elements. Abstract painting: The Chilean culture made me know runes, which have lost their original meanings and acquired here a magical dimension. I abstractly report the magical meaning of these runes. Hyperrealism: In my landscape paintings (I fell in love with pampas and Chilean deserts) I try to erase the effects specific to photography rather than trying to approach a photographic rendering. I do not want people saying "it looks like a picture" but "it looks like reality". But as nature does not care much about pictorial rendering, the reality is rarely as it appears on the painting. Especially since I usually add a detail denoting the human presence.
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