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VIEW IN MY ROOM

RiffTrax: Baby Ghost Print

Philip Leister

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About The Artwork

RiffTrax is an American company that produces scripted humorous audio commentary tracks intended to be played in unison with particular television programs and films, featuring comedians Michael J. Nelson, Kevin Murphy, and Bill Corbett and others. The three comedians' commentating style originated from their earlier television series, Mystery Science Theater 3000 (MST3K), in which they would similarly mock (or "riff") films aloud while watching them. RiffTrax products are sold online and delivered by app, streaming video, and DRM-free download. It is also featured on Pluto TV, Twitch, Xumo, Tubi and a channel on Samsung TV. History: The site was launched by Nelson and Legend Films in 2006 and is based in San Diego. In 2012, RiffTrax was purchased from Legend by Michael J. Nelson, Kevin Murphy, Bill Corbett and RiffTrax CEO David G. Martin. As of December 2014, RiffTrax had 13 employees. The movies chosen for Mystery Science Theater 3000 were predominantly low-budget B-movies because the show itself was low budget and producers could only afford films that had either its copyright expired or that had otherwise cheap licenses. The idea of RiffTrax came about after Mystery Science Theater 3000 was canceled and Nelson had researched and consulted a lawyer about the possibility of directly releasing DVDs of films with the commentaries included. But Nelson realized this initial idea was not feasible since he would be "sued out of existence." Instead, the best way to distribute the commentaries would be to sell them independently of the films, to avoid having to obtain the rights to distribute the movies themselves. There would be no legal or monetary restrictions to prevent Nelson from producing them, though viewers would have to provide the movies themselves. The early RiffTrax were almost all solo efforts on Mike's part, but it soon became apparent that there was a strong demand for them, and Nelson was quickly able to recruit more riffers for the project. Most official RiffTrax (not counting fan-made iRiffs and the spin-off RiffTrax Presents series) have a stable cast of Mike and former Mystery Science Theater 3000 co-stars Kevin Murphy and Bill Corbett, a line-up that is identical to that of The Film Crew and the three SciFi Channel seasons of MST3K. That said, the guest slots vary often; other MST3K alumni have been featured, such as Mary Jo Pehl and Bridget Nelson, in addition to Internet personalities Richard Kyanka (of Something Awful fame), Josh Fruhlinger (writer of The Comics Curmudgeon) and Chad Vader, as well as actors Neil Patrick Harris, Fred Willard, and Joel McHale, and parodist "Weird Al" Yankovic. Nelson has said that he would like to bring in other guests. The enthusiasm of guest riffers for the project led to the establishment of RiffTrax Presents, a series of tracks exclusively hosted by guest riffers and sanctioned by Nelson. The success of the guest format is such that "Three Riffer Editions" of some films previously solo riffed by Mike have been produced for the VOD service, which feature new riffs by Mike in conjunction with Murphy and Corbett, and Mike has ceased producing solo riffs since 2007. Most recent works created by Rifftrax are crafted by a small team of writers; longer works are divided into 20 to 30 minute sections for each writer to rewatch and develop riffs for before assembling the entire work. Rifftrax continues to release audio track riffs that can be used to play over the owner's own copy of a film as well as making versions friendly for films offered on online streaming services like Netflix. They have also since expanded to produce full length video-on-demand riffs for films that have entered the public domain or otherwise have been licensed cheaply, such as Night of the Living Dead and Santa Claus Conquers the Martians. Along with the feature length tracks, Corbett, Murphy and Nelson have created riffs for a number of short films, typically educational and safety films, similar to the shorts presented before features on Mystery Science Theater 3000. These include films by the Jam Handy Organization, Alfred P. Higgins Productions, Coronet Films and ACI Films, amongst others. Because these shorts are in the public domain, they can be downloaded with the commentary already recorded onto them. Shorts are usually released at least once, and often twice, a week. In 2008, RiffTrax launched iRiffs, which allows fans to upload commentaries to be sold on the website. iRiffs users are paid 50% of the net revenue generated by their products. iRiffs differentiates from normal RiffTrax in that both serious and humorous commentaries can be uploaded. In February 2009, a contest was held by RiffTrax, in which a winning iRiffs user would be given $1,000 and a chance to develop a RiffTrax Presents title, receiving instruction and critique from Nelson, Murphy and Corbett. The winners of the contest were Doug Walker, Rob Walker and Brian Heinz of That Guy with the Glasses, who contributed an iRiff of The Lion King. The RiffTrax commentary they produced was for Batman Forever. In October 2015, Rifftrax negotiated the rights to release available Mystery Science Theater 3000 episodes through Vimeo via an all-access subscription plan, with a new re-release uploaded each Monday; individual episodes could also be rented through the site, and in November 2015, RiffTrax also started to sell Mystery Science Theater 3000 episodes on their website. The RiffTrax.com releases contain a newly recorded introduction on each episode by either Michael J. Nelson, Bill Corbett, Kevin Murphy, or Bridget Nelson and Mary Jo Pehl. A substantial percentage from the episode sales on the RiffTrax website goes to the cast members of MST3K. On July 20, 2021, RiffTrax celebrated its fifteenth anniversary. 
 
 Baby Ghost is a 1995 American comedy horror [HA] film directed and edited by Donald G. Jackson, and starring Joe Estevez and Conrad Brooks.
 
 Source: Wikipedia 
 
 
 Artist’s Note: So, I’ve seen a lot of movies. I mean, A LOT. And usually remember, not just the film itself, but when and where I saw it, and who I might have been with. Because of MST3K and RiffTrax, I’ve seen a lot of bad ones. This one though… Wowzers. It's fucking terrible. And I love a lot of movies that are considered “bad”, i.e. Cabin Boy, Surviving the Game, Gremlins 2: The New Batch, etc.. Baby Ghost is so terrible that I think the RiffTrax guys couldn’t find much to make fun of. Probably because the entire movie is a shit-show. Anyhoo, I wouldn’t recommend watching it, even with the RiffTrax (they’ve got a huge library of better(s) - Lycan Colony, Blood Theatre, Atomic Eden, The Most Dangerous Game, Double Dragon, The Last Man on Earth, Dangerous Men, High School U.S.A., Grizzly, Samurai Cop, and No Retreat, No Surrender (JCVD Baby!). To name of few.). 
 Btw, I chose this movie for a RiffTrax painting only because I visiualized what it would like almost immediately. Not because it’s any good. In fact, it’s uncomfortably BAD (not the “Riffing” though, of course).

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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