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Romance Sonámbulo/ Sleepwalking Ballad (For Lorca) Print

Charles Gomila

United Kingdom

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About The Artwork

Inspired by Romance Sonámbulo/ Sleepwalking Ballad (by Federico Garcia Lorca): one the of the most famous poems in Spanish literature. It is included in the collection called Gypsy Ballads, which was selected for the list of the World's Top 100 Books by the Nobel Prize committee. I hope the viewers will read the poem immediately. If they can read it in Spanish so much the better: it is not easy to translate Lorca's musical, complex and ambiguous poetry. I hope my 'translation' into visual images provides some clues. The form is that of a Russian ikon where typically the story of a saint's life is told in panels around the edges of the picture. The saint is shown in the central panel. In my contemporary version of an ikon, instead of the saint we find the Moon in the central panel. The Moon which has many associations in Lorca's work (e.g. Death-Woman) and appears many times in the Gypsy Ballads. The 'narrative' of the poem starts in the top central panel of the painting and continues clockwise. The poems ends with a repetition of the first four lines Green I love you so much green. /Green wind. Green branches/The ship on the sea/ and the horse on the mountain/ - so the form is cyclic. Some of the 'events' in the poem have only been referred to obliquely: the painting is not illustrating the poem. It is a personal response to the poem. Now read the poem!

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:8 W x 10 H x 0.1 D in

Size with Frame:13.25 W x 15.25 H x 1.2 D in

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ARTISTIC STATEMENT !!!Post-Minimalist plus!!! I'm an emerging painter currently working in the abstract genre. My aim is to bring the clarity and logic found in classical and contemporary musical compositions to painting. **Since 2018 I have been working in paintings that go beyond the strict absolute maxims of minimalism. I call this style post-minimalism. They follow many of the objectives of Donald Judd’s minimalism: they minimise the illusion of depth and other forms of illusionism (e.g. texture, brushwork). The key difference between my post-minimalists and minimalist works is that the former refer to objects in the real world (e.g. D-Day beaches) or the world of literature (the Ancient Greek poems: The Iliad and The Odyssey; the Ancient Roman poem: The Aeneid) or the world of music/opera (For Dmitri Shostakovich; Sadko) or the world of history (Ovid in exile; Shakespeare’s history plays). **In 2018, I painted a five-panel polyptych in oils based on The Iliad, The Aeneid and The Odyssey. These are post-minimalist and extremely reductionist. **From 2015 to 2017 I produced abstract paintings, two works based on poems by Lorca and an installation (Coit Tower, San Francisco) based on white/white ceramic cylinders. **From 2014 to 2016, I worked on a series ‘Views from Venetian Fortress Rethymno, Crete’ which explore different levels of figuration/abstraction. **From 2006 to 2014, I worked on a major series of still lifes called "˜The Art of Still Life: Theme and Variations'. There are 45 variations plus 3 intermezzos in the series. The theme is a charcoal drawing and the variations are in oils. The project's objective was to extend the possibilities of the still-life genre by introducing cryptic, autobiographical, musical, literary and mythical/religious (Greek/Hindu) elements into the paintings. The resulting paintings are original, daring, visionary and sometimes futuristic. The body of work can be seen as part memoirs/confessional, part closely-observed still-lifes. I've sold my work in the UK and abroad. Selected Group Exhibitions The Centre for Strategy & Communication, London (2011, 2010) Llewellyn Alexander Gallery, London (2002) Morley College Gallery, London (2010, 2009, 2008, 2007, 2006, 2005, 2004 etc) Gibraltar International Art Exhibition, Gibraltar (2009) Westminster Central Hall, London (1998)

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