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Detail of sheep
Signature and date
Rear of painting
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Shamble Grove Painting

Jason Zahra

Malta

Painting, Oil on Canvas

Size: 29.9 W x 20.1 H x 0.7 D in

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SOLD
Originally listed for $1,700
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665 Views
118

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About The Artwork

At first glance this picturesque painting looks idyllic and full of innocence and it s partially right to think that way. That is the impression it gives with the lush grass and symbolic sheep, leading to that thought. There’s more depth to it and I would like you to read into the painting a bit more before you carry on reading this narrative. This place doesn’t actually exist as in fact as far as I know, but is ever present and could sometimes be on the mind. It was composed entirely right down to the title. It is very ambiguous and also very poignant. You could say it does exactly what the painting is about to the viewer. The trees, uneven ground and sheep all play their part in this ancestral fable. It could lure one into the spiritual or religiosity, but that is not necessarily right. Olive trees are a favourite of mine and here, apart from looking intriguing, they look ancient with all those contours and entwinement, showing time and age on them. However, do they give shelter to the unassuming and innocent sheep, despite ominously engulfing a huge part of the picture? There is something uneasy about the image giving a somewhat eerie feeling in contrast to the serene sheep, which either graze or lay on the uneven ground. Appropriately, this is why it is titled ‘Shamble Grove’. Here shamble is also ambiguous in its meaning. It may be clear to today’s meaning, but it also has a sinister meaning in old English. The painting paints a picture familiar ever since olden times and is real till this day. The innocent, righteous, peaceful, the virtuous will always be surrounded by a lurking danger or evil, just like a sacrificial lamb.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:29.9 W x 20.1 H x 0.7 D in

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Jason is a painter and illustrator of various styles and different media for different ends. Principally a surrealistic and abstract artist, he has a fondness for satire and caricature, with a hint of humour fantasy and the whimsical. Nevertheless, there is a realistic and a sober aspect to some of his work too. His different genres of works are ongoing series which are added to from time to time, whether it is his Aviary, Abstract, Allegoric or any other style he employs. World events, social affairs and politics draw his attention, but he can be inspired by everything and anything seen, heard or felt. His expression can be direct or ambiguous. What is prevalent throughout his work is light, movement and flow, hardly any black is employed, leaning towards enlightenment.

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