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12 x 6 in ($66)
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STREAM OF CONSCIOUSNESS as the title implies is the state of "flow" we feel when the intent and purpose of our activities are in sync. Nature does not have intent but an organic and natural flow of efficiency. When we experience nature through a sensory stimuli and our emotions align to the moment, gravity does not seem to pull as hard and we are elevated to a different "state" of being. My original connection to the feeling of flow I initially experienced at this location on earth was revived in the process of this "memory painting". Completed on 140lb Arches watercolor paper and painted with Winsor Newton professional pigments.
Original Created:2018
Subjects:Landscape
Print:Giclee on Fine Art Paper
Size:12 W x 6 H x 0.1 D in
Size with Frame:17.25 W x 11.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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ARTIST STATEMENT “I love the character of watercolor, coupled with the malleable quality of paper, always presenting opportunities to encounter changing balances”. Transformation is the guiding principle for his creative output; oscillating from deliberate to spontaneous, creating degrees of transparency, ambiguity, light and form. The work speaks to the transience of life, always in motion, no beginning, no end, always rejuvenating. The subject is captured coming into or out of existence. Sometimes obscured, sometimes distorted, sometimes familiar, creating mystery, curiosity and beauty. The more sculptural surface of the Transformation series ask the observer to explore alternate perspectives in a literal and figurative manner. Expanding the scope of the configuration of a “painting” and questioning the formality and standardization of these versatile mediums. “Art shapes, elevates, and shifts our point of view” David Zwimer ARTIST BIOGRAPHY Sidney’s formative years in a Maryland high school art program for gifted and talented students, were influenced by fantasy illustration masters Boris Vallejo, Jeffrey Jones, Roger Dean and N.C. Wyeth. In the first years of college he was awarded two commissions for murals. This inspired a move to NYC to attend Parsons School of Design. More exposure to late 19th, early and mid 20th century masters James McNeill Whistler, Childe Hassam, Winslow Homer and David Levine had a special capacity to effect the eventual direction Mr. Edwards work. After a brief professional illustration career, overtaken by the digital revolution, Sidney turned to graphic design to support a small family. After his pivotal contributions, transforming too small brands into iconic status, a transition from the corporate to the cerebral was necessary. Never losing touch with his roots simultaneously taking classes in the atelier style studying with masters Gustav Rehberger, Nicki Orbach, Frederick Wong, Silya Kiese, Paul Ching-Bor and Michael Pellettieri at the Art Students League of NY. Recently discovering the works of Eva Hesse, Agnes Martin, and Sam Gilliam validated a long held opinion that what and how we view painting can be expressed in unexpected and transcendent forms.
Artist featured by Saatchi Art in a collection
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