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United States
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Canvas
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12 x 16 in ($190)
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Black Canvas
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White ($135)
This body of work represents an initial exploration of an electric mark I discovered and decided to use as a signifier for string theory...the idea that all of reality is made up of little knots of energy. The moment I made the mark for the first time, it struck me as the perfect signifier for string theory. The issue of an intelligently ordered universe is addressed, as well.
Print:Giclee on Canvas
Size:12 W x 16 H x 1.25 D in
Size with Frame:13.75 W x 17.75 H x 1.25 D in
Frame:White
Canvas Wrap:Black Canvas
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United States
I was born at Vanderbilt Hospital in Nashville, Tennessee shortly after midnight on July 4, 1952. I spent a rather idyllic childhood living in the country near Macon, Georgia where I started drawing at the age of about seven, got my first oil painting set at about ten and, sometime in-between, saw an exhibition of Leonardo da Vinci’s engineering exploits. I was sold. I was going to be an artist. During high school, I attended a college preparatory boarding school with an extensive art program and was able to pursue my interest in art, including painting. From there I went to Oklahoma City University where I received a Bachelor of Arts degree with a major in art in 1974. I also met my soon-to-be wife of thirty-seven years, Cindy, and two years after graduating, we moved to Portland, Oregon. In 1979, I took a side trip to the University of Idaho where I was granted a teaching assistantship and, in 1981, received a Master of Fine Arts degree with a concentration in painting and printmaking. With the exception of four years, we have lived in Portland ever since where I have been an actively producing painter and teacher. In 1985, I began teaching Painting and Drawing in the Continuing Education program at the Pacific Northwest College of Art and, in 1987, Basic Design and Drawing at Mt. Hood Community College. I continue to teach at MHCC. Altogether, I taught twenty years at the PNCA and have taught seventeen at Mt. Hood.
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