108 Views
0
View In My Room
Philip Leister
Fine Art Paper
6 x 12 in ($40)
White ($80)
108 Views
0
Artist featured in a collection
Hot town, summer in the city Back of my neck gettin' dirty and gritty Been down, isn't it a pity? Doesn't seem to be a shadow in the city All around, people lookin' half dead Walkin' on the sidewalk, hotter than a match head But at night, it's a different world Go out and find a girl Come on, come on, and dance all night Despite the heat, it'll be alright And babe, don't you know it's a pity The days can't be like the nights In the summer in the city In the summer in the city Cool town, evening in the city Dressed so fine and lookin' so pretty Cool cat lookin' for a kitty Gonna look in every corner of the city 'Til I'm wheezing like a bus stop Runnin' upstairs, gonna meet you on the rooftop But at night, it's a different world Go out and find a girl Come on, come on, and dance all night Despite the heat, it'll be alright And babe, don't you know it's a pity The days can't be like the nights In the summer in the city In the summer in the city Hot town, summer in the city Back of my neck gettin' dirty and gritty Been down, isn't it a pity? Doesn't seem to be a shadow in the city All around, people lookin' half dead Walkin' on the sidewalk, hotter than a match head But at night, it's a different world Go out and find a girl Come on, come on, and dance all night Despite the heat, it'll be alright And babe, don't you know it's a pity The days can't be like the nights In the summer in the city In the summer in the city ‘Summer In the City’ by The Lovin’ Spoonful Songwriters: John Sebastian / Mark Sebastian / Steve Boone "Summer In the City" is a song recorded by The Lovin' Spoonful and written by John Sebastian, Mark Sebastian, and Steve Boone. It appeared on their album Hums of the Lovin' Spoonful and reached No. 1 on the Billboard Hot 100, in August 1966, for three consecutive weeks. The song features car horns and jackhammer noises, during the instrumental bridge, to represent the sounds of a noisy city street. The song became a gold record. It is ranked #401 on Rolling Stone's list of The 500 Greatest Songs of All Time. The song originated from one started by John Sebastian's younger brother, Mark, while living as a teenager in his parents' apartment on Washington Square West in New York City. When the Lovin' Spoonful needed new songs for their third studio album in 1966, John Sebastian took the basic song and added verses, together with a middle eight created by bassist Steve Boone. The studio recording at Columbia Studios, produced by Erik Jacobsen with engineer Roy Halee, added electric piano played by studio musician Artie Schroeck, together with sound effects of traffic and industrial noises. Hums of the Lovin' Spoonful is the third studio album and fourth overall by American folk rock band the Lovin' Spoonful, released in 1966 by Kama Sutra Records. It peaked at No. 14 on the Billboard Pop Albums chart. The Lovin' Spoonful is an American rock band that was popular during the mid- to late-1960s. Founded in New York City in 1965 by lead singer/songwriter John Sebastian and guitarist Zal Yanovsky, it is best known for a number of hits, including "Summer in the City", "Do You Believe In Magic", "Did You Ever Have to Make Up Your Mind?", and "Daydream". The band was inducted into the Rock and Roll Hall of Fame in 2000. Source: Wikipedia
2022
Giclee on Fine Art Paper
6 W x 12 H x 0.1 D in
11.25 W x 17.25 H x 1.2 D in
White
Yes
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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"
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