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Surfaces XI, 2016, mixed media on canvas, 31.5x39.4 in. This piece is part of the solo exhibition ‘Surfaces’. It’s done on canvas with deep siding. Is realized mainly with acrylic colors adopting various techniques, including acrylic skin (the square box with many colors). Moreover it has some applications in paper and details realized in ink and pastel. Below a brief explanation of the meaning of this body of work. To rip apart surfaces and reunite them again in a single piece, this is the journey done by Rosemary Salkin Sbiroli in her solo exhibit ‘Surfaces’. Rosemary Salkin Sbiroli pursues an intimate path following the suggestions of what’s around her, conscious of the subtle veil that divides representation and abstraction; she brakes down and reassembles elements keeping the suggestion of the original archetype. Prompting us to perceive figures that are at the same time familiar and elusive. A creative choice of the artist that allows her to deepen the exploration of subtle emotions, not yelled, that overlap layer after layer in her works to create a complex emotional syntax. Writes of Rosemary Salkin Sbiroli the critic Romina Guidelli: The work of Rosemary Salkin Sbiroli recalls the Clinamen theory described by Lucrezio in the ‘De rerum natura’, which is the ability that the primal bodies have to deviate from ordinary trajectories to follow new paths. An event that supports an innate but variable oscillation: the miracle of a permanent revolution. This constant moment of genesis generates infinite ‘other nature’, abstract if compared to the known data, but that doesn’t loose perfection in her mutation. Is new creation that participates to the infinite variables of endless forces, choosing Liberty as the main power.
Print:Giclee on Fine Art Paper
Size:10 W x 8 H x 0.1 D in
Size with Frame:15.25 W x 13.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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My creative imaginary is the tempting encounter within new and old, idea and form, rigor and creativity, East and West. I work within representation and abstraction trying to find equilibrium within contrapositions. I pursue an intimate path following the suggestions of what’s around me, conscious of the subtle veil that divides representation and abstraction; I brake down and reassemble elements keeping the suggestion of the original archetype. This process induces you to perceive figures that are at the same time familiar and elusive. A creative choice that allows me to deepen the exploration of subtle emotions, not yelled, that overlap layer after layer in my works to create a complex emotional syntax. I love the raw material and the manual skill: the imperfection in the repetition, the uniqueness of the gesture. In my works. I employ new (resin) and old (encaustic) techniques making use of the infinite opportunities that paper, photography, digital manipulation can offer to reach my formal idea. The final result is an infinite interest for many ways of doing art and an intercultural language built on many levels. “Overlapping and organized cells with a complex epidermis, disclose to the artist in all oftheir articulate and extraordinary geometry. Each deepest inside is in the eyes, then in the paint, of Rosemary Salkin Sbiroli.” Romina Guidelli, Art Critic
Artist featured by Saatchi Art in a collection
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