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VIEW IN MY ROOM

Te Marae "SOLD" Print

Richard Larsen

New Zealand

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About The Artwork

Te Marae is a work inspired by my life in the country mixing with the local Maori, and then advises onto the Marae for funerals, birthdays and other occasions. The colours in the movements in this abstract are inspired by the colours in the meeting house on the Marae, including the beautiful tapestries and carvings which on their own tell myths and religions about the people and where they came from. I've used epoxy resin in this case and it is becoming a trademark of mine because of its high gloss and the giving of a three-dimensional feeling to the work which is very difficult if not impossible to show you here by a simple photograph.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I was born and raised in rural New Zealand, and operated the family farm for a number of years. I have always had a creative talent, in both food and art and I did a short course with at the Whitecliffe School of Arts, Auckland, New Zealand in the early 1980’s. More recently, my wife encouraged me to train as a chef; however due to circumstances beyond my control I am unable to do paid employment. Thus with encouragement from my wife I turned my creativity to art. My art is on the whole self-taught and I tend to paint both abstract and coastal landscapes. I am influenced by the geometry of nature and a number of the great artists; namely, Vincent Van Gogh, Claude Monet, Paul Cézanne and Pablo Picasso. I see and feel something new every time I look at or start a new work. Like my talents when it comes to food, God has given me the ability to my amazement to get the colours just right. While some of the components of my art methodology may have come from watching others on YouTube, I have attempted to create a style that is uniquely my own. When starting a new work the most important to me is that the painting has to come from the heart not from my head. If I try to paint from my head the painting turns out to be a bunch of colours that mean nothing to me, therefore means nothing to others. In an abstract or perhaps a surreal way a lot of my paintings come out of real things and feelings , like life itself my painting tend to be fluid because life is fluid When you are viewing one of my paintings, I try to express the feeling of movement in the three-dimensional space from a two-dimensional object, as you walk around the room and view the painting from different angles the perspective changes creating a three-dimensional space. This causes a feeling of movement in the work, so that every time you view it you see something you’d have not seen before.

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