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VIEW IN MY ROOM

THE ARTIST CONFRONTS LIFE Print

Kate Taylor

United States

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9 x 12 in ($40)

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About The Artwork

This is one of my overtly political paintings motivated by the difficulty artists face in following the only path that makes sense. We do not live in a world that values the darkness behind the creative process. We prefer to purchase the anguish of creativity and hang it on our walls rather than deal with the darkness of the artist. This painting is divided into sections. The most colorful pattern shows the patterns and visions inside the head of the artist. The next sections show the obstacles in the way of bringing those patterns to life. Most of them present a yes or no choice. You can be an artist, or you can have a “real” job. You can have love or you can create. You can give up your soul and walk safely in the worlds of gray, black, and white where there are clear choices, or you can follow your heart. I glued a piece of netting to the middle to show how easy it is to fall into that particular trap, especially after years of despair from trying to live what you were born to be. I also included the first line of musical notes from the Quaker tune, “Simple Gifts.”

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:9 W x 12 H x 0.1 D in

Size with Frame:14.25 W x 17.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I grew up in Las Vegas. I took my first art class in high school and knew then wherever my path led, it had to include art. In college I was certain that path was ceramics. But an old injury and a diagnosis of arthritis made working with cold and wet clay extremely painful. I had to quit. When I arrived in the Pacific Northwest the astonishing beauty of everything around me sent me back to my first love in high school, painting. I worked as a freelance graphic artist and designer from 2005 until I retired in 2018. No matter what I did to earn a living, I always painted, either with watercolors, acrylics, or in later years, digitally. I took part in my first studio tour this year where I sold both computer generated art and paintings. I use patterns as part of a larger whole in my abstract paintings to demonstrate the connection of all things to each other. The buildings in my cityscapes pick up color from the sky, the vegetation, and from their own reflections in the water. All the colors are connected not only to each other, but to everything else as well. As an artist in these divided times, I have a moral obligation to show how we are all connected, how we are all pieces of one whole. If a tree reflected in the water can explain how everything in nature is connected not only to its surroundings, but to us as well, then maybe we can begin to understand our divisions are not as solid as they seem. I also paint dark, impressionistic scenes, usually in blacks and grays, to show the emotional difficulties many face. The darkness in these images is the darkness in us that needs to awaken to what it truly means to be human. I want people to emotionally feel that darkness so they can develop a deeper understanding of their fellow humans in emotional turmoil.

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