The Evil Tail Print

I begin with drawings or a photograph—a kernel of an idea, a starting point to grow a painting from. Moving from there in a direction sometimes right, sometimes a detour—back and forth, add and subtract—just keep working. Hoping at the end, a painting will appear out of what is left. Some parts of the paintings move while others sit quietly. Stories about color, a dream, a passing glance. I use paint to slow down the picture—a process both random and deliberate—finding new ways to explore.