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New Zealand
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Fine Art Paper
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8 x 12 in ($40)
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White ($80)
Inspiration & Design of 'Geometry of Nature'. The title and inspiration for this work came from my studies of sacred geometry and the Fibonacci number sequence. These geometries and numbers appear everywhere in nature; leaf patterns, seashells, pine cones, the proportions of animals, humans… It is often referred to as nature’s numbering system. Plato succinctly surmised this concept; “God ever geometrises”. The entire composition was set-out using sacred geometry and the Fibonacci number series. The painting shows a sandy beach with waves on a blue sea. On the horizon stands a pyramid or mountain. The Sun is set within a blue sky that has bands of white clouds. The Sun is represented as a mass of interconnected fine gold lines. It resembles E8, a multi-dimensional geometric structure that may provide physicists the framework to unify all the forces in nature; the elusive ‘Theory of Everything’ (TOE). In this painting, for life on Earth, the Sun is the ‘Treasure of Energy’. The use of blocks of strong colours, combined with a precise geometric structure, is associated with works from the schools of Formalism, Hard-edge, Colour-field and De Stijl. Is God a mathematician? Is the universe a harmonic creation? These are questions I wish to pose to the viewer. Or simply chill-out, grab a beer and dream that you’re on a beach in paradise! The scene is reminiscent of the view of Rangitoto volcano from Auckland's sandy eastern beaches. Fine-art grade acrylic paints on wood board. Finished edges, no frame required.
Print:Giclee on Fine Art Paper
Size:8 W x 12 H x 0.1 D in
Size with Frame:13.25 W x 17.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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New Zealand
As a boy I used to love spending hours drawing complex geometrical patterns with compasses; then colouring them in with pencils to make wonderfully complex, psychedelic pictures. I did not know it at the time, but I was using basic rules of sacred geometry to create mandala-type pictures. Years later, after completing my MSc, I spent 20 odd years in construction and architecture. I am fortunate to now work full-time as an artist. I work with both acrylic paints and metals to produce a range of paintings, metal wall sculpture, and custom copper interior design features. A feature of all of my metal artwork is that they are finished with hand-applied authentic & traditional acid patina finishes. Each and every patina has a distinctive character and personality. It is these subtle differences that ensure each piece is truly unique. Every patina finish is as individual as a person’s fingerprint. Everything is designed, handmade and finished by me. All my artwork is strongly guided by mathematical and geometrical proportions, especially those relating to circles (Plato’s ‘Perfect Form’) and the Fibonacci number series (AKA the Divine Proportion, the Golden Ratio, and the Sacred Cut). The broad underlying philosophy behind my art is exploring the apparent geometrical and harmonic relationships that appear to occur at all scales in the universe; from the quantum world to the cosmic scale, and probably into higher dimensions. All of creation appears to be determined and guided by the invisible pulse (Shiva’s drum). Plato succinctly surmised this concept, “God ever geometrises”.
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