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United Kingdom
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10 x 8 in ($40)
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This is a new painting study for a larger piece I am now working on. It has been built up with layers of oil, capturing the changes of colour/ light throughout the day and evening and perspective shifts through its movement in space and time, using fields of colour and the drawn line. Zazen is considered the heart of Japanese Soto Zen Buddhist practice. The aim of zazen is just sitting, that is, suspending all judgmental thinking and letting words, ideas, images and thoughts pass by without getting involved in them. In this case painting as one sits and creates, without expectations or holding onto thoughts, allowing images, thoughts, words and feeling to flow through into the process of painting and being surprised by the outcome at the end (which is one of the most important tenets of Zen: to be surprised and reveal the Brahman, who hides within each of us). Through the rock, like the flower, to see the universe in its entire.
Print:Giclee on Fine Art Paper
Size:10 W x 8 H x 0.1 D in
Size with Frame:15.25 W x 13.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United Kingdom
My work currently explores fragility through layering and entropy. It responds to history, memory, the landscape and the human condition. These semi-abstract glimpses are drawn from observation when travelling, gathering images through sketching, photography and my memory. Paintings are layered over time as expressive moments of colour, line, print, masking, text, scrawled marks and memory. These form multi-layered paintings that are sanded back, revealing sections from the previous layers, now interacting with one another as a memorialised glimpsed journey. These journeys are inspired by research I’ve pursued from 2013-16. When attending residencies in Cyprus and Spain, I began re-exploring my relationship with the landscape; local and national histories; mythology; geology; pigments; various visiting cultures, their religions, and entropy. These ideas eventually lead to an interest in the effects of imperialism (2017), slavery (2018), lost generations (2019), the suffragette and civil rights movements (2020—21), other obscured histories and the culturally ignored (2022-present). Many aspects of these intersect and juxtapose with one another within my work, expressing memorial observations of history and landscape. These seek to enable an opportunity to investigate and explore previously obscured histories, through this form of landscape painting. *********************** Adam has travelled around the world delivering workshops and attending residencies in India, Mexico, Spain and Cyprus. His work exists in many collections around the world including Taiwan, Australia, USA, UK, France, Monaco, Italy, Czech Republic, Germany and includes commissioned work for the Malaca Instituto in Malaga and The World Reimagined with the globe titled 'Legacy: Echoes in the Present'. Grose runs a variety of workshops based on painting and printmaking, grounded in drawing skills and observation. He is a committee member of Go Create, an Artist Network member of the Royal West of England Academy in Bristol and a member of Axisweb.
Artist featured by Saatchi Art in a collection
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