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The Rosy Seasons of Life Print

O Yemi Tubi

United Kingdom

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About The Artwork

To everything there is a season, and a time to every purpose under the heaven: Ecclesiastes 3:1 Greatly influenced by the works of Renaissance’s artist Giuseppe Arcimboldi, the artist that used fruits to paint portrait of his subjects like “VERTUMNUS” – his portrait of Emperor Rudolph II in year 1590, O. Yemi chose Roses and Thorns to paint what he called “the fact of life”. O. Yemi interpreted the successes and failures in everyone’s life to be the “Roses and Thorns” of life. Following this unique concept, O. Yemi painted “The Rosy Seasons of Life.” Abraham Lincoln said “We can complain because rose bushes have thorns, or rejoice because thorn bushes have Roses.” In spite of thorns, O. Yemi chose to celebrate the Rosy Seasons of life in this painting with the poem below. It is a Wonderful World after all, After all the tilling and toiling of the working time. It’s a wonderful world after the gloomy and dreary of the winter time. It’s a wonderful world; the sun is shining, the nightingales are singing and human beings are dancing. It’s a wonderful world; the fields are green and the flowers are blooming. It’s a wonderful world when the human race takes a break from all wars, worries and woes and be at peace with himself. To enjoy the bounties of the Lord. These are the thoughts that influenced this painting. It is not a perfect world; it is a wonderful world.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:12 W x 9 H x 0.1 D in

Size with Frame:17.25 W x 14.25 H x 1.2 D in

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O. Yemi Tubi - An Artist and Advocate for the world’s Peace. I am a Nigerian-born, American-trained Artist residing in the United Kingdom an artist with a unique personal style. Most of my recent paintings were influenced by the political and social upheaval of our world today and the works of Renaissance artists. “A work of art which did not begin in emotion is not art” so said Paul Cezanne; I was moved by emotion to do most of my political and socially influenced paintings “THE EAGLE HAS LANDED” was done to speak about the American-led war on terror. My painting “THE BLEEDING ROSES” was done in solidarity with Christians beheaded by ISIS in Iraq and Syria. I used my paintings “AFRICAN’T”, “HUNGER IN THE LAND OF PLENTY” and “OIL: AFRICANS’ WEALTH AND WOE” to speak about the exploitation of African nations. The Painting depicts paradoxical poverty and the riches of Africa. my work, “THE FISHERS OF MEN” is about the horror of refugees drowning in the Mediterranean Sea. I also used my painting – “UKRAINE: THE UNFORTUNATE BRIDE” to speak about the America and Russia-influenced war in Ukraine. I desire my portrait paintings to be uniquely creative. I do not copy images from pictures. I create what the camera cannot create. I use portrait paintings to tell the stories about my subjects and often use my subjects’ professions to create their portraits as I did with the portrait of Professor Wole Soyinka, 1986 Nobel Prize Winner in Literature in my painting “SOYINKA: An Africans’ Literary Icon”, I used artist materials to create my painting “PORTRAIT OF AN ARTIST” and I used the violin to create the face of my subject in the “THE VIOLINIST” My works progress from political paintings to paintings of the facts of the life of people. The theme of my works, in general, is "The Facts of Life: Roses and Thorns." Life is roses and thorns; sometimes it emanates the sweet aroma of pleasantness and sometimes it pricks and causes pains. I often use Roses and Thorns for portrait paintings of the facts of the life of people. I first used Roses and Thorns in my political painting “THE BLEEDING ROSES.” Since then I have adopted this floral iconography style - Roses and Thorns as my unique style in some of my paintings like “DOMESTIC ABUSE”, and “MY MOTHER, Her Majesty Platinum Jubilee: Her Rosy Reign” to name a few. Roses are for achievements and other positive parts of life and Thorns are painful challenges and negative parts of life.

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