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VIEW IN MY ROOM

THE SUNSET OF EGYPT Print

Keisuke Nomura

Japan

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About The Artwork

Art is one and only in the world.You are the one and only one of all. -絵の解説- 夕日を背景に、ギザの3大ピラミッドが並びます。 ピラミッドの左端にはラクダ。 中央を斜めによぎっていくのはヘビです。 左下にはスカラベがいます。 日本では「糞ころがし」の名でよく知られています。 古代エジプトでは、糞を転がす姿が太陽を運んでいるように見えることから、 聖なる生き物として崇められていました。 その隣にはラー神がいます。 聖蛇のついた日輪を冠した太陽神。太陽の船に乗り、は天空を夜は地下を航 行すると考えられていました。 右下半分のほうは、5つのパートに分かれています。 絵を90°左回しにした状態でみると正図になります。 一番上は黄色地にブラウンの線で、アルファベットの”K”を、正転反転繰り 返しで描き、一種の模様のようにしています。 2段目は、スフィンクスの陰です。 3段目は、夜が明ける寸前の、水平線からほんのりと光が上がっていく様子 です。 左上の方には明星の月、下半分はナイル川の水面。 その上を、左端からカヤックの影が進んでいきます。 4段目と5段目は、それぞれ違った夕日の情景です。 再び絵を通常にもどして、一番右端の角の部分。 ここは、長方形の区画で色を塗っています。 これはモザイク、タイルのイメージを表しています。 今度は、左上方の宮殿の柱(窓枠)の間にみえる夕焼けに注目してみましょう。 隣のラクダやピラミッドの背景にある空と同じ延長線上にあるのですが、ち ょっとだけ色がズレています。 実はこの窓枠のあいだから見える夕日は、隣の夕日とは少しだけ時間が進ん でいるのです。 そのため、より暮れた赤色が多いのです。 一つの絵の中で、異なった時間帯が微妙な色合いの違いによって同居しています。 そして全体に戻ると、およそ中心のヘビを境に、上側はこの世的、下半分はあの 世的な世界を表しています。 古代エジプト人たちの死生観。 壮大なスペクタクル。 小さい画面にたくさんのストーリーがちりばめられています。 - I painted this picture with an Egyptian image. With the sunset behind, the three great pyramids are lined up. A camel is on the left side of the pyramid. It is a snake that passes diagonally through the center. There is a scarab on the lower left. Scarabe is well known in Japan as a "dung beetle," but in ancient Egypt, it was worshipped as a sacred creature because it looks like the shape of a dung-rolling animal is carrying the sun. Next to it is Rajin. It is a sun god with a sundisk with a serpent. It is said that they believed that they were going on a ship in the sun and cruising under the sky at night during the day. The lower-right half is divided into five parts, which are actually a positive illustration if you turn the picture 90 degrees to the left. In that state, the one with a brown line on the yellow ground is a kind of pattern, in which the alphabet "K" is repeated upside down. The second stage is behind the sphinx. The third stage was the light rising slightly from the horizon, just before dawn, in the upper left (slightly invisible in the picture) the moon of Myongus and the lower half of the water of the Nile. Above it, the shadow of the kayak proceeds from the left. The fourth and fifth stages are different sunset scenes. Bring the picture back to normal again, and look at the rightmost corner. This is colored with rectangular parcels. This represents a mosaic or tile image. Now, let's fly diagonally, and look at the evening glow that appears between the pillars of the palace (the window frame) in the upper left. It's on the same extension as the sky behind the next camel or pyramid, but it's a little different color. In fact, the sunset which is visible from between the panes is a little more time than the next one. Therefore, there are more red (darker colors). In one painting, different times live together due to subtle differences in color. And back to the whole, on the border of the central serpent, the upper part represents this world, and the lower part represents that world. The view of life and death of the ancient Egyptians. A magnificent spectrum. There are many stories on a small screen.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 8 H x 0.1 D in

Size with Frame:15.25 W x 13.25 H x 1.2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

In 2010, at the 11th Exposition, "L'Art Actuel France Japon avec Participation multinationale 2010", the jury, whose director was Jean-Marie ZACCHI (the present honorific President), declared, with a great appreciation of his works, "You have a very clear concept about what you want to paint and you have expressed it with joy and freedom." He has been supported by many friends and has continued his own training to be a more proficient artist. The charm of the works he creates as a fruit of his sensibility and imagination is a source of life which fascinates a large public. C.V. >>>https://issuu.com/keisukenomura/docs/4.curriculum_vitae_________________ My works>>> http://issuu.com/keisukenomura/docs/__________________one_art-3.1___

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