The Worst is Over, Part 1 Print

In this painting I continue to try to isolate points of interest that have risen from the layers, but this time I am using a variety of similarly sized forms to balance the composition. I am trying to create a plane where the entirely random and loose moments can live with other shapes in different techniques. There are recognisable forms amidst a sea of stencils and plain shapes, but none dominates or diminishes the others. I am attempting to express a very real moment of consciousness in which clear impressions, feelings, instincts, movement and our attempts to balance and control these elements exist.