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Thistle. Caucasus Painting

Victor Chaika

Belarus

Painting, Pastel on Paper

Size: 8.1 W x 11.6 H x 0 D in

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About The Artwork

Technical Information: Paper: Color card paper for pastel. 200 g/m2. Acid free. Russia. Pastel: Faber Castell Graphic tool: Ballpoint pen Fixed with pastel fixative The main image of the painting was taken using a photo scanner Epson v370 with 600dpi density And now a little story: When we go down after another ascent, or walk as preparation along mountain paths at low altitudes, these flowers all the time come across to us along the way. Purple-blue spots on a green or burnt yellow background of mountain grasses. These plants have thorns. But the mountain cows don't care. And all the time I remember the lines: "Thousands of years plants grow thorns, but this does not prevent the lambs from eating them, is it not important?" I think this is important. Even if it's not a rose. After all, the rose will not survive here. It's too high and cold here. She's too gentle. But the thistle feels comfortable here. I drew this one in the hotel, between my groups. Elbrus is in the background. And in the sky there is the ruthless Caucasian sun, you understand all its power only when you climb above five thousand, where even the sky is twice as dark as on earth, because the atmosphere is thinner ...

Details & Dimensions

Painting:Pastel on Paper

Original:One-of-a-kind Artwork

Size:8.1 W x 11.6 H x 0 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I was born in Belarus, in Minsk. Then I learned to walk. A little later I learned to dive to the depth with one breath. Then I got into the mountains and It became part of my home, as well as the depths of the seas and oceans. I started taking people to the mountains as a guide. I like to share with them the most that I have. Sometimes I teach someone to dive and together we enjoy the depth and beauty of the ocean. Then I learned to fly a paraglider, and the sky also became my home and necessity. Element. Wildlife. People. With whom we manage to share really big steps and dreams. Roads. Countries. Wild landscapes and adventures. I never thought what and how to draw or paint, and whether it is worth it. Since childhood. My art is the result of spontaneous living. This is not an end in itself. This is an irresistible consequence. I just draw and paint how I feel and need it. I don't want to be guided by styles and trends, become hostage to this or that technique or niche. I don’t want to look back at tradition, fashion and praise. I want to always remain honest with myself, people and Nature, the nature of everything. If, having felt and discovered something that shocked and delighted you, you can "keep silent", then don't start painting. But I can't... I use different tools and types of paint and materials. Depends on time, location and availability. I can arrive with a full oil painting backpack and climb high in the mountains or in the sands, or sit in the middle of a stormy sea trying to translate the rumble into color. But in jail, it might just be a pen and pencil. No matter. Oil, watercolor, acrylic, various graphic tools. I think that the main thing is not this, but what has become too much to stay inside you, and what you want to share with other people. And is it there. I consider it magic when it is possible to make the world common like this, at least in the space of the picture. But still, my Queen has always been and is - oil paints. When we once again rise to the top of a large mountain, and I am leading the group, there, behind the clouds, on the summit plateau, I let them go forward, I like to see how they reach that cherished point to which we worked so long and hard. And I think this is a great Victory when in them, in people, then there is something else, besides just a photo from the top. Up there, nothing remains of them, whatever they are. People. All unnecessary - flew away along the way.

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