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Canvas
16 x 20 in ($177)
Black Canvas
White ($160)
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Artist featured in a collection
Drawing, painting and collage on an ultramarin blue cardboard background. Drawn from a life model in a life drawing situation. Very short postures, only a few minutes each. I start off from a paper collage created of various coloured papers. I roughly shape the figure by gluing the paper patches on the backdrop. I usually prepare a few of those backdrops and decide spontaneiously which one matches the posture the model offers best. Then I start drawing and painting over the initial collage, trying to capture a sort of movement, merging and blending the figures into one another. Later I might turn back to collage and add more coloured paper shapes to finish the composition. This work is another one in an ongoing series on contemporary figurative art. The original has already gone to a dear collector of mine, but open edition prints are still available here on Saatchi Art.
2023
Giclee on Canvas
16 W x 20 H x 1.25 D in
17.75 W x 21.75 H x 1.25 D in
White
Black Canvas
Yes
Ships in a Box
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“My works are drawings or collages or a combination of both. All of them are on paper or cardboard. I like working with rough, found materials, they have a liberating effect on me. I have an extensive collection of old coloured paper which I use more or less like paint: I place patches of paper, draw or paint over it, glue more paper of a different colour on top again and so forth. This technique allows unplanned shaping, meticulous modulation, and endless rearrangement all at the same time. Drawing to me is not so much about the result on paper as it is about the process of close observation. While examining somebody or something, the object often becomes strange and somehow new to me. I like that feeling of entering the unknown, and the attentiveness and concentration that comes with it. I have a certain fascination with faces as well as with the dressed figure and the interaction of clothes and body: shapes, transparency, silhouette, colours. I prefer working with life models rather than photographs which again has to do with the experience of close observation, maybe also with that special silent atmosphere when working with somebody real in front of me.”
Artist featured by Saatchi Art in a collection
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