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16 x 20 in ($120)
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ABOUT THE ARTWORK
My work reflects the dialogue between the changing fashions and styles of art history, against the constant force of nature and the earth from which the artworks were made. Fragments, historical sculptures and motifs are overlaid – mimicking as we do when curating by placing them in a museum, domestic, or public setting – onto natural, inhospitable and unforgiving landscapes. These composite scenes are constructed from a bank of historical images, just like spolia is repurposed and reused repeatedly; and as much scrutinise the re-use and framing of historical imagery throughout time as celebrate it.
Original Created:
2023
Subjects:
Materials:
Mediums:
DETAILS AND DIMENSIONS
Print:
Giclee on Canvas
Size:
16 W x 20 H x 1.25 D in
Size with Frame:
17.75 W x 21.75 H x 1.25 D in
Frame:
White
Canvas Wrap:
White Canvas
Ready to Hang:
Yes
Packaging:
Ships in a Box
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:
Printing facility in California.
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Olivia McEwan
United Kingdom
My work applies the visual analysis and research disciplines obtained in studying BA and MA art history at the Courtauld, London, to demonstrate that art is both a continuum and a language which speaks across time and space. Materials, styles and motifs evolve, as do curatorial methods; we attempt to imitate life in art, then continuously frame and reframe it. Running parallel is the constant destructive force of nature, which weathers and re-forms these imitations, unaffected by contemporary artistic concerns. To capture this dichotomy I create composites of artistic motifs, applied arts, decorative patterns and historical fragments with natural elements, often ironically playing on the illusionistic aspects of art imitating nature. Shortlisted - The New Emergence Art Prize 2021 Shortlisted - The Ashurst Emerging Artist Prize 2021
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