23 Views
2
View In My Room
Canvas
12 x 16 in ($95)
White Canvas
White ($135)
23 Views
2
If in my previous work 'The Noblefrog' I tried to merge the work of El Greco with Matisse and the wonderful world of the Muppets, this time I would like to take you back to the 30s of my version of 'Koko The Clown' (the ghost from Betty Boop's short Snow White from 1933). And recover another classic by joining these two pieces, on the one hand Snow White and on the other Betty Boop, personified in the actress Clara Bow in her 1927 film Rough House Rosie, in which she plays a boxer. Si en mi anterior trabajo 'The Noblefrog' intenté fusionar la obra de El Greco con Matisse y el maravilloso mundo de los Muppets, en esta ocasión me gustaría volver a llevaros a los años 30 de mi versión de 'Koko The Clown' (el fantasma del corto Blancanieves de Betty Boop de 1933). Y recuperar otro clásico uniendo estas dos piezas, por un lado Blancanieves y por otro Betty Boop, personificada en la actriz Clara Bow en su película Rough House Rosie de 1927, en la que interpreta a una boxeadora.
Giclee on Canvas
12 W x 16 H x 1.25 D in
13.75 W x 17.75 H x 1.25 D in
White
White Canvas
Yes
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Deuxfauves is an art project that mixes pop culture with avant-garde art. In my large-format acrylics, styles and concepts as seemingly opposite as the work of El Greco and Matisse coexist with the wonderful world of the Muppets, 'The Noblefrog'. The frivolity of social networks with the audiovisual culture of the 30s, 'Koko The Clown'. At times, I also like to deconstruct icons, like Snow White, transforming an innocent Disney princess into a defiant boxer. All of them, unique works, joined piece by piece through a colorful imperfect line and a vision, at times, crazy. Deuxfauves es un proyecto artístico que mezcla la cultura pop con el arte de vanguardia. En mis acrílicos de gran formato conviven estilos y conceptos tan aparentemente opuestos como la obra de El Greco y Matisse con el maravilloso mundo de los Muppets, 'The Noblefrog'. La frivolidad de las redes sociales con la cultura audiovisual de los años 30, 'Koko The Clown'. En ocasiones, también me gusta deconstruir iconos, como Blancanieves, transfigurando una inocente princesa Disney en una desafiante boxeadora. Todas ellas, obras únicas, unidas piezas a pieza a través de un colorido trazo imperfecto y una visión, por momentos, disparatada.
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