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VIEW IN MY ROOM

Waiting for a Girl Like You Print

Philip Leister

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So long, I've been looking too hard I've been waiting too long Sometimes I don't know what I will find I only know it's a matter of time When you love someone When you love someone It feels so right, so warm and true I need to know if you feel it too Maybe I'm wrong Won't you tell me if I'm coming on too strong? This heart of mine has been hurt before This time I want to be sure I've been waiting for a girl like you to come into my life I've been waiting for a girl like you, your a love that will survive I've been waiting for someone new to make me feel alive Yeah, waiting for a girl like you to come into my life You're so good When we make love it's understood It's more than a touch or a word can say Only in dreams could it be this way When you love someone Yeah, I really love someone Now, I know it's right From the moment I wake up 'til deep in the night There's nowhere on earth that I'd rather be than holding you tenderly I've been waiting for a girl like you to come into my life I've been waiting for a girl like you, your a love that will survive I've been waiting for someone new to make me feel alive Yeah, waiting for a girl like you to come into my life I've been waiting, waiting for you, ooh Ooh, I've been waiting (Waiting) I've been waiting, yeah (I've been waiting for a girl like you, I've been waiting) Won't you come into my life? Ah ‘Waiting for a Girl Like You - Footloose’ by Foreigner Songwriters: Lou Grammatico / Mick Jones "Waiting for a Girl Like You" is a 1981 power ballad by the British-American rock band Foreigner. The distinctive synthesizertheme was performed by the then-little-known Thomas Dolby. It was the second single released from the album 4 (1981) and was co-written by Lou Gramm and Mick Jones. The opening motif was written by Ian McDonald. It has become one of the band's most successful songs worldwide, peaking at number 2 on the Billboard Hot 100 and number 1 on Billboard's Rock Tracks chart. On the Billboard Adult Contemporary chart, the song reached number 5. The song peaked at number 8 on the UK Singles Chart. "Waiting for a Girl Like You" achieved a chart distinction by spending its record-setting 10 weeks in the number 2 position of the Billboard Hot 100 chart, without ever reaching the top. It debuted on the Hot 100 chart dated October 10, 1981. It reached the number 2 position in the week of November 28, where it was held off the number 1 spot by Olivia Newton-John's single "Physical" for nine consecutive weeks, and then by Hall & Oates' "I Can't Go for That (No Can Do)" for a tenth week on January 30, 1982. Because of its chart longevity, it ended up being the number 19 song on the Top 100 singles of 1982. The song was the band's biggest hit until "I Want to Know What Love Is" hit number 1 in 1985. In his autobiography, Lou Gramm tells of a beautiful, mysterious woman who appeared in the control room when he was recording his vocal and gave him the inspiration to deliver the stirring take that was better than he has ever sung the song. He writes that this ephemeral beauty vanished, and he has never discerned her identity. The song lists at number 100 on "Billboard's Greatest Songs of All Time”. 4, also known as Foreigner 4, is the fourth studio album by the British-American rock band Foreigner, released on July 2, 1981, on Atlantic Records. Several singles from the album were hits, including "Urgent", "Waiting for a Girl Like You" and "Juke Box Hero". The album was a success worldwide, holding the #1 position on the Billboard album chart for a total of 10 weeks. It eventually sold over seven million copies in the US alone. Foreigner is a British-American rock supergroup, originally formed in New York City in 1976 by veteran British guitarist and songwriter Mick Jones, and fellow Briton and ex-King Crimson member Ian McDonald, along with American vocalist Lou Gramm. Jones came up with the band's name as he, McDonald and Dennis Elliott were British, whereas Gramm, Al Greenwood and Ed Gagliardi were American. In 1977, Foreigner released its self-titled debut album, the first of four straight albums to be certified at least 5x platinum in the US. Foreigner peaked at No. 4 on the US album chart and in the Top 10 in Canada and Australia, while yielding two Top 10 hits in North America, "Feels Like the First Time" and "Cold as Ice". Their 1978 follow-up, Double Vision, was even more successful peaking at No. 3 in North America with two hit singles, “Hot Blooded” a No. 3 hit in both countries, and the title track, a US No. 2 and a Canadian No. 7. Foreigner’s third album, Head Games (1979) went to No. 5 in North America producing two Top 20 singles including its titletrack. Reduced to a quartet, 4 (1981) hit No. 1 (for 10 weeks) in the US and No. 2 in Canada, while becoming Foreigner’s break-through album outside of North America, going Top 5 in the UK, Germany and Australia. Two of 4’s singles were smashes: "Urgent" reached No. 1 in Canada and on the new US Rock Tracks chart, No. 4 on the US Hot 100 and, became their first Top 15 hit in Germany; and, the ballad “Waiting for a Girl Like You” peaked at No. 2 in both the US (for a record 10 weeks) and Canada, topped the US Rock Tracks chart, and became their first Top 10 hit in the UK and Australia. In 1982, Foreigner released its first greatest hits album, Records, which has gone on to sell 7 million copies in the US. In 1984, Foreigner had its biggest hit single, the anthemic ballad "I Want to Know What Love Is", which topped the US, UK, Canadian and Australian charts, while hitting No. 3 in Germany and the Top 10 in numerous other countries. Its source album, Agent Provocateur, was the band’s most successful in the UK, Germany and some other countries in Europe, where it peaked at No. 1, and in Australia (No. 3), while performing well in the US (No. 4) and Canada (No. 3). After a break, Foreigner released Inside Information (1987), which despite the No. 6 US and Australian hit, “Say You Will” (which also rose to No. 1 on the US Rock Tracks chart), had a large sales drop-off, only hitting the Top 10 in a few European countries with a No. 15 peak in the US. The band's most recent albums, Unusual Heat (1991), without Gramm, who departed due to the band's shift towards the use of synthesizers, Mr. Moonlight (1994), with Gramm back on vocals, and Can't Slow Down (2009), once again without Gramm, were not major sellers; the highest chart positions were obtained in Germany, where the last album peaked at No. 16. Foreigner is one of the world's best-selling bands of all time with worldwide sales of more than 80 million records, including 37.5 million in the US. Leader Mick Jones has been for many years the only founding member still involved. Source: Wikipedia

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:8 W x 10 H x 0.1 D in

Size with Frame:13.25 W x 15.25 H x 1.2 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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