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Natasza Mirak

Poland

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10 x 10 in ($89)

10 x 10 in ($89)

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$169

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ABOUT THE ARTWORK

The painting technique refers to the painting of the old Flemish masters. The picture is painted with the world's best single-pigment, natural oil paints. Let's look into the eyes of a woman who is immersed in plans and dreams. Strength and determination emanate from her gaze, but she already knows life, she knows how to measure her strength for intentions. For now, she is in a bubble, but in the mirror we see her alter ego in the form of a wild bird, which one day will break the window with its beak and fly away freely. A painting inspired by the paintings of Jan van Eyck, (born around 1390 in Maaseik, died on July 9, 1441 in Bruges) - a Dutch painter, a representative of the fifteenth-century Dutch realism. He was the brother of another Dutch painter, Hubert van Eyck. As one of the first European painters of the fifteenth century, he began to use the oil technique in his paintings - not mixing paints on the palette, but applying glazes. The biographer of Italian painters, Giorgio Vasari, attributed the invention of oil painting to the van Eyck brothers in the mid-16th century. The bird is a symbol of volatility, wind, air, clouds and sky. Birds are oracle animals, the Romans, Babylonians and many other peoples used their flight. The bird is also a biblical symbol of trust in providence, freedom, freedom and independence. In literature, the bird is a symbol of poetic creativity.

DETAILS AND DIMENSIONS
Print:

Giclee on Fine Art Paper

Size:

10 W x 10 H x 0.1 D in

Size with Frame:

15.25 W x 15.25 H x 1.2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

In my work, I am interested in the relationship between social roles and intimate human needs. Cultural gender, age, religion, origin, family or social structure, and geopolitical situation entail specific expectations that a person faces. There is a need to make decisions or passivity. I believe that my paintings touch on this moment of internal uncertainty and indeterminacy, I show sympathy with confusion and foreboding, uncertainty and certainty, shame and boldness. Duality accompanies me constantly, and leaving cultural roles gives me the opportunity to look at the consequences.

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