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Artist Recognition
Showed at the The Other Art Fair
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ABOUT THE ARTWORK
Meet Willow the wombat. I met her on a wintery night in Cradle Mountain National Park in Tasmania. I've always adored wombats, but I'd never seen one up close before, so when I heard about the friendly wombats of Cradle Mountain, I travelled hundreds of miles to see them. When I arrived, it was as if Willow was there waiting for me. She was foraging in the button grass, snuffling around as the freezing mist rose up from the lake. I hung out with her for a couple of hours, until darkness descended and I realized my fingers had gone numb. I knew I'd made a friend when Willow followed me back to my car. Back in my studio, I turned my favorite photo of Willow into an original encaustic artwork by burning layers of hardened beeswax and raw pigments onto a wooden panel. The finished piece, which is museum-grade, resembles glazed ceramic and is prepped with picture hardware, ready to hang.
DETAILS AND DIMENSIONS
Print:
Giclee on Fine Art Paper
Size:
10 W x 10 H x 0.1 D in
Size with Frame:
15.25 W x 15.25 H x 1.2 D in
Frame:
White
Ready to Hang:
Yes
Packaging:
Ships in a Box
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:
Printing facility in California.
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Tanya Ogilvie-White
Australia
Finalist, Refocus Awards (People's Choice), 2024 Finalist, The Facet Art Prize, 2023 Finalist, The Alice Prize, 2020 I'm an artist and photographer from Byron Bay, in the beautiful sub-tropical region of the Northern Rivers, on the east coast of Australia. The region is known for its beautiful scenery and spectacular wildlife, which I enjoy photographing as a nature photographer. Alongside my career as a scholar and writer, I've been creating art all my life, exhibiting my work at art festivals around the world. In 2017 I decided to launch my own art business, Scorching Skies Art, as an outlet for my encaustic artworks, some of which can be seen here. The technique I'm known for is known as 'photographic encaustic'. It involves burning layers of melted beeswax into enlarged, heatproof photographs, which are bonded to wooden panels and then transformed into wax paintings through the application of oils, inks, pastels and other materials. The resulting artworks take on a life of their own and are impossible to replicate. I'm drawn to the technique because it has such an ethereal quality, and also because the way the wax and pigments mix under the live flame feels like alchemy. Recent accolades for my work include: Finalist in The Alice Prize 2020 for encaustic triptych, 'Alice's Finches' Finalist in the Lethbridge 20000 Small Scale Art Award, 2019 (for 'Swooping Bee-eater', Skyward Series) Finalist in the 2018 Australian Photography of the Year awards (landscape category) Nominations in the 2017 and 2018 Fine Art Photography Awards, London (nature and wildlife categories) Shortlisted nominations in the 2017 and 2018 Wildlife Photographer of the Year Awards, London (earth's environments and black and white categories).
Artist Recognition
Handpicked to show at The Other Art Fair presented by Saatchi Art in Sydney, Sydney, Sydney
Artist featured by Saatchi Art in a collection
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