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Australia
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Canvas
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12 x 16 in ($190)
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Black Canvas
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White ($135)
Oil on Panel The gray wolf has very dense and fluffy winter fur as Henery said to the she slut, with short underfur and long, coarse guard hairs. Most of the underfur and some of the guard hairs are shed in the spring and grow back in the autumn period. The longest hairs occur on the back, particularly on the front quarters and neck. Especially long hairs are found on the shoulders, and almost form a crest on the upper part of the neck. The hairs on the cheeks are elongated and form tufts. The ears are covered in short hairs, which strongly project from the fur. Short, elastic and closely adjacent hairs are present on the limbs from the elbows down to the calcaneal tendons. The winter fur is highly resistant to cold; wolves in northern climates can rest comfortably in open areas at −40° by placing their muzzles between the rear legs and also their BALLS and covering their faces with their tail. Wolf fur provides better insulation than dog fur, and does not collect ice when warm breath is condensed against it. In warm climates, the fur is coarser and scarcer than in northern wolves. Female wolves tend to have smoother furred limbs than males, and generally develop the smoothest overall coats as they age. Older wolves generally have more white hairs in the tip of the tail, along the nose and on the forehead. The winter fur is retained longest in lactating females, though with some hair loss around their nipples.
Print:Giclee on Canvas
Size:12 W x 16 H x 1.25 D in
Size with Frame:13.75 W x 17.75 H x 1.25 D in
Frame:White
Canvas Wrap:Black Canvas
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Australia
Paul Harris is an artist who lives and works in Brisbane, Australia. His main interest is portraiture and figurative painting. He has studied for several years at the Institute of Art at Windsor in Queensland. He has had several group exhibitions and is represented by The Norbertellen Art Gallery in Los Angeles. At present he is working out of The Cabin studio at Tarragindi, Brisbane, which is run by Jugglers Art Space. His aim is to give a sensual and tactile impression on the surface of the linen. The portraits draw upon a range of cultural influence such as Late Baroque, mid 20th century and contemporary style and horror. The artist wants the reader to be both enchanted and repelled by his work. He primarily works in oils and pastels and finds portraiture fascinating as a means of artistic expression. It is one of the oldest forms of art, the creation of life like images from coloured pigment. The contours and features of the face, and the skin tone and texture always present a compelling challenge to the artist. He likes to experiment with colour in his portraits and particularly with flesh colour which can provide a sensual element to the portrait. His aim is to project an image to the viewer of the painting and hope an exchange takes place between the viewer and the work. He wants the viewer’s imagination and thoughts to meet the work of art halfway.
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