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United States
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Fine Art Paper
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9 x 12 in ($78)
Add a Frame
White ($80)
"Laura Davis makes paintings that are alive with energy from her expressive emotions and color. Making reference to a giant of Western painting—Willem de Kooning, she commands extraordinary fluidity." Through my art, I strive to release expressive brushwork into strokes of planes with open contours. I paint in my own way, with faith, unconventional compositions viewing my painting emotionally. I got to know my passion, and my angst in painting by studying expressionists like De Kooning, Asger Jorn, Chaim Soutine, John Cage, Philip Glass and Lauria Anderson. I was drawn to them in a profound way of love, empathy, and desire, forcing me to suspend disbelief in myself and embody the spirit of the free-spirited expressionist painter. It prompted me to look inward, to reflect on what I wanted to be my voice on my canvas, and to self-answer from the voice of my soul. I want the viewer to gain awareness of the strong earnest strokes in my paintings, the scratching and scraping of paint, the emotion of the colors I choose, and the energy and passion I strive to get from my subconscious onto the canvas. I believe my painting comes from my body's natural movement so that my soul can speak.
Print:Giclee on Fine Art Paper
Size:9 W x 12 H x 0.1 D in
Size with Frame:14.25 W x 17.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United States
I strive to paint from my gut a surge of body parts that are both on the fringes of figural and unknowing. At a gaze one can feel as if peeking into a secret message of a sexual ritual. Within the erotic body parts (dominated by females,) I paint for the mystery of lines, color, shapes to convey a climax of thought. The grotesque prevails despite the sensual nature of my paintings, there is the expressive, unsettling, and visceral confirmation that the subject matter of a given work is typically intended to unsettle the viewer while making it their own visual.
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