known unknown 1 Print

In post-modern times where artists do not want to limit their style to a single authoritative style, Urmi chooses semi-abstract expressionism to embody his expressiveness, or one might say, his expressiveness is more spontaneous - where the brush strokes and the application of colors reveal the artist's artistry. A kind of energy can be found by combining colors in the picture. Unambiguous self-centeredness, self-emancipation, lust, anger, repression, and sensuality—all of which take on an expressive form that helps the artist define himself, revealing the artist's physical involvement with each image, becoming vivid and universal when the viewer experiences these feelings in the image. If you can identify, then the picture gets the moksha of perfection. Urmi's statement about her film is very clear. This ambivalence is characteristic of Urmi. Where the art world is indeterminate, where the material world is mystifying with hints of quantum potential, its clarity affects the image, resulting in a chaotic or unconventional painting style - sometimes sharp, sometimes matte - the contrast that creates a densely focused surface makes Urmi's image more subtle. Gives a uniqueness. Urmi's work will be linked as a new example of expressionist painting practice in Bangladesh.