179 Views
3
View In My Room
Philip Leister
Canvas
21 x 14 in ($129)
Black Canvas
White ($150)
179 Views
3
Artist featured in a collection
Nishi: This roller-coaster you're trying to stop is a genuine Angel Express. And I can see you moved to tears as you watch that mystic angel spread its wings and disappear into the sky. OK? Yakuza boss: The fuck? Nishi: Fear takes the shape we're willing to give it. Nishi: We've gotta leave. It's that or drown. Yan: But how? Nishi: The boat, of course! Myon: The cops'll be looking for us. Nishi: So? Myon: The Yakuzas'll come after us! Nishi: So what! I wanna get out! 'Cos there's so much out there! So many different people, living different lives! Incredibly good guys, bad guys... Folks completely different from us! It's one huge melting pot! See, it's not about success, dying in the streets, who's better, who's not! I just want to be a part of it! I realized that even if I've no connections, no talent, even if I'm one big loser, I want to use my hands and feet to think and move, to shape my own life! We can just die here or we can try, see what we've got! from ‘Mind Game’ (2004) Starring Kôji Imada (The Samurai I Loved), Sayaka Maeda (Yakuza 3), and Takashi Fuji (Kitaro). Written and Directed by Masaaki Yuasa (The Tatami Galaxy). Based on the manga by Robin Nishi (Soul Flower Train). Mind Game (Japanese: マインド・ゲーム, Hepburn: Maindo Gēmu) is a 2004 Japanese animated experimental feature filmbased on Robin Nishi's manga of the same name. It was planned, produced and primarily animated by Studio 4°C and adapted and directed by Masaaki Yuasa in his directorial debut, with chief animation direction and model sheets by Yūichirō Sueyoshi, art direction by Tōru Hishiyama and groundwork and further animation direction by Masahiko Kubo. It is unusual among features other than anthology films in using a series of disparate visual styles to tell one continuous story. As Yuasa commented in a Japan Times interview, "Instead of telling it serious and straight, I went for a look that was a bit wild and patchy. I think that Japanese animation fans today don't necessarily demand something that's so polished. You can throw different styles at them and they can still usually enjoy it." The film received a cult audience and was well received, winning multiple awards worldwide, and has been praised by directors Satoshi Kon and Bill Plympton. Allegedly, according to Tekkonkinkreet director Michael Arias, there was consideration for a release of the film on R1 DVD but it fell through. The film is now available to stream on Netflix in Australia as of 2016. GKIDSannounced that they licensed the film, which streamed on VRV Select on December 29, 2017 followed by a limited theatrical run in February 2018 and a home video release in spring 2018. Masaaki Yuasa (湯浅 政明, Yuasa Masaaki, born March 16, 1965) is a Japanese animator, storyboard artist, screenwriter, anime television and film director known for his wild, freeform style. In June 2014, he announced that he, along with his close affiliate Eunyoung Choi, had founded an animation studio by the name of Science Saru. Yuasa retired as the president of Science Saru on March 25, 2020. Source: Wikipedia
2020
Giclee on Canvas
21 W x 14 H x 1.25 D in
22.75 W x 15.75 H x 1.25 D in
White
Black Canvas
Yes
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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"
Artist featured by Saatchi Art in a collection
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