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Climate Refugee Girl With White Veil - Limited Edition of 25 Print

James Longley

United States

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About The Artwork

I lived in Pakistan for over a year while working on a documentary film set in an orphanage in Rawalpindi. During the time I was there a massive climate disaster struck Pakistan in the form of the 2010 floods, which devastated the country - claiming thousands of lives, washing away whole villages and making millions of Pakistanis into climate refugees. These floods in Pakistan were perhaps one of the first great disasters of the era of Climate Change. I spent weeks following the catastrophic flooding as it swept down through Sindh Province. Along the way I began making portraits with the Pakistani villagers who were now homeless, living in schools and other government buildings on higher ground. This image is one of those portraits. While making these portraits I also made a short film for UNICEF about the Pakistan flooding of 2010, from the point of view of a Sindhi boy named Ejaz, which may be viewed here: https://youtu.be/Q3_nnyYFSIo This girl was living with her family in a government building near the town of Sukkur, Sindh. They had been sleeping rough along the roads as the escaped their flooded village on foot, carrying their few rescued possessions. Her gaze conveys both a stalwart pride in the face of adversity and also reveals the pain of what must have been a traumatic loss, possibly the destruction of her home and her sense of security. When we made this portrait, the girl was surrounded by family members in a large hall containing hundreds of refugees in her same condition. For this image I believe she borrowed a dress and veil from her older sister, whose parents deemed her too old to have her picture taken. This younger sister sat in her place, aware of her future. Her eyes speak volumes. The goal of my work in Pakistan and the other West Asian countries where I have lived over the past decades has always been to express to a broader audience the beautiful humanity that I found all around me. The people in these countries have suffered greatly through various wars and conflicts, but their character remains stronger than ever. My films and photographs are love poems to my friends and all the people I met and who allowed me to immortalize them in stills and in motion. This image is one of a limited edition of 25 The print is 34 x 24 inches, which includes a 2-inch white border The printed portrait image is 30 x 20 inches Signed limited edition print Rendered on museum quality Hahnemühle Photo Rag paper, made by a fine art printer in the United States. About the paper: Hahnemühle papers are designed for archival storage are acid-free, which makes them highly resistant to ageing. The paper is also lignin-free, which means it should consist of linters or alpha-cellulose. Lignin-free paper does not yellow.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:8 W x 12 H x 0.1 D in

Size with Frame:13.25 W x 17.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

From a multiple Oscar-nominated and Sundance award-winning filmmaker who combines fine art sensibility with a passion for communicating the worlds of civilians caught up in conflict, Longley’s film and photography work witnesses places such as Gaza, Iraq, Iran, Pakistan and Afghanistan. Through an approach best described as Slow Journalism, Longley creates a big picture view from an intimate perspective. Describing Longley's work in the Los Angeles Times in 2019, film critic Kenneth Turan wrote: "What is life like on the ground for ordinary people in another culture, another world? That’s been the bread and butter of observational documentaries for forever, but almost never is it done with the kind of beauty and grace filmmaker James Longley brings to his Afghanistan-set “Angels Are Made of Light.” As his 2006 Oscar-nominated “Iraq in Fragments” demonstrated, MacArthur Fellow Longley, who serves as his own cinematographer as well as directs, has an almost magical ability to envelope us in other realities. He does it via the poetry of his imagery as well as a gift for focused illumination that creates empathetic portraits of people who are both ordinary and intensely involving." ... In 2009 James was named a MacArthur Fellow, and in 2011 a USArtists Ford Fellow. These substantial awards helped to create his most recent filmed and photographic work. James has taught master classes at Hong Kong University, Duke University's Center For The Arts, The Goethe Institute in Kigali, and in Zurich for FOCAL. Longley has been nominated for two Academy Awards and won three Jury Awards at Sundance - for Directing, Cinematography, and Editing - among many other heartwarming accolades. 35mm prints of Longley's filmed work can be found in the archives MoMA, The Academy Film Archive, the Duke University Archive, Wesleyan University, The Northwest Film Forum and the Library of Congress. A portion of James' income from the sale of these images goes to support the people he has filmed and worked with the past - particularly in Afghanistan. Please visit James' portfolio site at www.jameslongley.com for more photography and films, and to contact him for custom printing or to commission work.

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