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Climate Refugee With Skullcap In Sindh - Limited Edition of 5 Print

James Longley

United States

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About The Artwork

Climate Refugee With Skullcap In Sind is offered as a limited edition signed print, one of five to be sold. I lived in Pakistan for over a year while working on a documentary film set in Rawalpindi. During the years I was there a massive climate disaster struck Pakistan in the form of the 2010 floods, which devastated the country - claiming thousands of lives, washing away whole villages and making millions of Pakistanis into climate refugees. These floods in Pakistan were perhaps one of the first great disasters of the era of Climate Change. I spent weeks following the catastrophic flooding as it swept down through Sindh Province, working with a local guide. Along the way I began making portraits with the Pakistani villagers who were now homeless, living in schools and other government buildings on higher ground. This image is one of those portraits. While making these portraits I also made a short film for UNICEF about the Pakistan flooding of 2010, from the point of view of a Sindhi boy named Ejaz, which may be viewed here: https://youtu.be/Q3_nnyYFSIo This particular boy was living with his family in an abandoned school building in the town of Sukkur, Sindh. With his family he had traveled there from his flooded village, sleeping by the sides of roads. Now living in a disused classroom, he asked to have his picture made. Before I clicked the shutter someone handed him his skullcap, which signals that he is a student of the Qur'an. His eyes were so intense they seemed to overpower the frame. You can feel the oppressive heat pouring into the room, lighted only by an open doorway, though it was still only morning. It was the record-breaking heat wave that had brought the floods. The goal of my work in Pakistan and the other West Asian countries where I have lived over the past decades has always been to express to a broader audience the beautiful humanity that I found all around me, and to make a bridge of comprehension. The people in these countries have suffered greatly through various wars and conflicts - and now also Climate Change - but their character remains stronger than ever. My films and photographs are love poems to my friends and all the people I met and who allowed me to immortalize them in stills and in motion. A portion of my income goes to help support people I have worked with and filmed in the past. This image is one of a limited edition of 5 The print is 36 x 25.3 inches, which includes a 2-inch white border Signed limited edition print Rendered on museum quality Hahnemühle Photo Rag paper, made by a fine art printer in the United States. About the paper: Hahnemühle papers are designed for archival storage are acid-free, which makes them highly resistant to ageing. The paper is also lignin-free, which means it should consist of linters or alpha-cellulose. Lignin-free paper does not yellow. Collectors are encouraged to contact James Longley directly about this print via his website: www.jameslongley.com

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:8 W x 12 H x 0.1 D in

Size with Frame:13.25 W x 17.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

From a multiple Oscar-nominated and Sundance award-winning filmmaker who combines fine art sensibility with a passion for communicating the worlds of civilians caught up in conflict, Longley’s film and photography work witnesses places such as Gaza, Iraq, Iran, Pakistan and Afghanistan. Through an approach best described as Slow Journalism, Longley creates a big picture view from an intimate perspective. Describing Longley's work in the Los Angeles Times in 2019, film critic Kenneth Turan wrote: "What is life like on the ground for ordinary people in another culture, another world? That’s been the bread and butter of observational documentaries for forever, but almost never is it done with the kind of beauty and grace filmmaker James Longley brings to his Afghanistan-set “Angels Are Made of Light.” As his 2006 Oscar-nominated “Iraq in Fragments” demonstrated, MacArthur Fellow Longley, who serves as his own cinematographer as well as directs, has an almost magical ability to envelope us in other realities. He does it via the poetry of his imagery as well as a gift for focused illumination that creates empathetic portraits of people who are both ordinary and intensely involving." ... In 2009 James was named a MacArthur Fellow, and in 2011 a USArtists Ford Fellow. These substantial awards helped to create his most recent filmed and photographic work. James has taught master classes at Hong Kong University, Duke University's Center For The Arts, The Goethe Institute in Kigali, and in Zurich for FOCAL. Longley has been nominated for two Academy Awards and won three Jury Awards at Sundance - for Directing, Cinematography, and Editing - among many other heartwarming accolades. 35mm prints of Longley's filmed work can be found in the archives MoMA, The Academy Film Archive, the Duke University Archive, Wesleyan University, The Northwest Film Forum and the Library of Congress. A portion of James' income from the sale of these images goes to support the people he has filmed and worked with the past - particularly in Afghanistan. Please visit James' portfolio site at www.jameslongley.com for more photography and films, and to contact him for custom printing or to commission work.

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