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Mexico
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10 x 10 in ($70)
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White ($80)
Inside a giant wall clock marks the time of departure and arrival with the River Seine in Paris as its destiny on the horizon. It is framed by the art of its history, its fame, the worldly time that looked after its creation, and the developments of the impressionists who transformed innumerable modern currents, who characterised the life of the place that is now enclosed in a pair of museums, to watch Paris die from outside. Outside the texture of the roof of the main wing of the Musée d’Orsay frames a clock with a view of outside taken from one of the upper levels of the museum. Name: El tiempo. Author: Marina Morris Uruchurtu. Technique: Digital composition from large angle shots. Location: Paris France. Date of original photographs: 2012. Date of composition: 2016
Print:Giclee on Fine Art Paper
Size:10 W x 10 H x 0.1 D in
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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In my story, my first wide-angle lens was integrated into my photographic equipment at the turn of the century, in 2001. This started my collection of Postales Circulares (Circular postcards) that fluctuate around the circular. The “fisheye” or wide-angle lens has been called a different view of the world. To be able to capture ancient places and change them through a different way of looking that makes them look like a place never seen before excepting by my lens and me. My call to analogue photography began at age 11 when my grandmother gave me a camera. My quest began with the aim of taking well-framed photos with good illumination. During my visits to different countries my photos were always like the postcards sold in tourist stands. On returning to Mexico on analysing my photos, I felt dissatisfied with producing such a classic style. How can one change the view of the same scene without changing the everyday process of development or printing? The technique shouted at me and I obtain my first wide-angle lens. The digital age then penetrated my work and the wide-angle lens became the nourishment to discover my own style. Now, as a result of technical advances, I do not just capture the origin of my “postales” (postcards) in a different style, but my work develops from the circle that through the passage of time also reveals the importance of it’s artistic meaning, that exceeds the symbolic ambit to explain the impact of the images that I express through my gaze.
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