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VIEW IN MY ROOM

Human Traffic #4 (London, 2000) - Limited Edition 1 of 10 Print

John Brownlow

Canada

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About The Artwork

This is an image from a large project I shot between 1999 and 2000 just before I left England permanently for Canada. I photographed on London's Oxford Street for a year, one or two days a week. I walked so far I wore out a good pair of shoes. The regulars got to know me: the guy in the car park, the pickpockets, the Yugoslavian beggars, the newspaper sellers, the guys who sold film. Especially the guys who sold film It took four months before I got a good picture. Everything happened too fast. I would see something but before I could take a picture, it had gone. Eventually I learned to hot-wire the connection between heart, brain and camera so that as far as possible it bypassed the brain part. My heart beat a little faster and the camera fired. Oftentimes it wasn't until I looked at the negative that I found out what had provoked the finger to release the shutter. I was often surprised to discover I'd had time to focus without even knowing what I'd focused on I guess looking back that what I was really seeking was the flash of humanity, of connection. It's a fleeting thing. There were many days I would pound up and down the pavements and shoot roll after roll of meaningless pictures. I'd go home exhausted, disheartened. I'd give up. Only, of course, I couldn't give up. Then there'd come along one of those other days, enchanted ones, everything was laid out for me "like a patient etherised on a table" as Eliot put it. Almost all of the best pictures come from these magic rolls. And yet the street is no different from day to day: it flows like a river. So perhaps the real conclusion to be drawn from all this is that even (or perhaps especially) when are out with a camera on the most crowded of streets, you are only ever taking photographs of yourself. Tech stuff: this is a giclee print of an original 35mm negative shot using a Leica camera. The print is made using archival inks on acid-free Museo Silver Rag paper. The physical dimensions of the print are 36x24". The actual image minus the white borders is 32"x21.5"

Details & Dimensions

Print:Giclee on Photo Paper

Size:12 W x 8 H x 0.1 D in

Size with Frame:17.25 W x 13.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I'm a professional screenwriter, film director, producer and musician, but my first love has always been photography. I began as a street and documentary photographer, working alongside the 'grand old man of Boston documentary' Roswell Angier. Street photography led me to urban landscape and urban landscape to rural landscape. I've also worked in portraiture. I work in all mediums - digital, stitched digital composites, 35mm, medium format and 4x5. I have a love for analog processes and a full working darkroom, plus a collection of amazing vintage cameras, but I also use cutting edge techniques to produce images which would be impossible to achieve using conventional means. But the tools are always secondary to the image. I'm not particularly interested in making beautiful pictures -- I'd much rather making interesting ones. But sometimes they're both.

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