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This is a companion to the image titled A Madrasa In Deh Sabz. Both photographs were made in Deh Sabz District, a short drive northwest of Kabul, Afghanistan, in January, 2014. I lived in Kabul for over three years, making the documentary film Angels Are Made Of Light. While there I also made a series of extremely detailed panoramic images - mostly of street life in Kabul. The images are made using many exposures stitched together, then edited by hand and enhanced for detail. The pictures are both beautiful to look at as art and also serve as the most detailed and revealing documentary images in existence of the city of Kabul during this moment in history - the end of the Karzai era. This is one of the few panoramic images I made outside of Kabul, in the vast Afghan countryside. The image depicts an Afghan boy - a madrasa student in local dress riding a bicycle toward us out of a vast and desolate scene. The boy takes his Qur'an lessons at the religion school located inside the compound of a local historic shrine, which can be seen in the middle distance. In the far distance on the left side of the frame it is possible to see walled compounds, trees, and beyond that a range of mountainous hills wreathed in low clouds. The wintery blue sky overhead is as cold and remote as the love of God. Nothing green appears on the furrowed earth; curling scrub of ashen tan covers the fields. The student is carrying what appears to be the makings for a reed broom crossways in his bicycle frame, and stares directly into the camera. He is the same boy who looks up from his religious text into the camera in the photograph titled A Madrasa In Deh Sabz. The idea behind all of my work in Afghanistan and the other West Asian countries where I have lived over the past decades has been to express to a broader audience the beautiful humanity that I found all around me. The people in these countries have suffered greatly through various wars and conflicts, but their character remains stronger than ever. My films and photographs are love poems to my friends and all the people I met and worked with, who collaborated with me to immortalize them in stills and in motion. A portion of my income goes to support people I have filmed and worked with in the past, their education and the upkeep of their families. The image Madrasa Student is offered as an oversized 44 x 90 inch signed print on Hahnemühle paper in an edition limited to three at this museum print size. Rendered on museum quality Hahnemühle Photo Rag paper, printed by a fine art printer using archival inks in the United States. About the paper: Hahnemühle papers are designed for archival storage are acid-free, which makes them highly resistant to ageing. The paper is also lignin-free, which means it should consist of linters or alpha-cellulose. Lignin-free paper does not yellow.
Print:Giclee on Fine Art Paper
Size:12 W x 6 H x 0.1 D in
Size with Frame:17.25 W x 11.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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From a multiple Oscar-nominated and Sundance award-winning filmmaker who combines fine art sensibility with a passion for communicating the worlds of civilians caught up in conflict, Longley’s film and photography work witnesses places such as Gaza, Iraq, Iran, Pakistan and Afghanistan. Through an approach best described as Slow Journalism, Longley creates a big picture view from an intimate perspective. Describing Longley's work in the Los Angeles Times in 2019, film critic Kenneth Turan wrote: "What is life like on the ground for ordinary people in another culture, another world? That’s been the bread and butter of observational documentaries for forever, but almost never is it done with the kind of beauty and grace filmmaker James Longley brings to his Afghanistan-set “Angels Are Made of Light.” As his 2006 Oscar-nominated “Iraq in Fragments” demonstrated, MacArthur Fellow Longley, who serves as his own cinematographer as well as directs, has an almost magical ability to envelope us in other realities. He does it via the poetry of his imagery as well as a gift for focused illumination that creates empathetic portraits of people who are both ordinary and intensely involving." ... In 2009 James was named a MacArthur Fellow, and in 2011 a USArtists Ford Fellow. These substantial awards helped to create his most recent filmed and photographic work. James has taught master classes at Hong Kong University, Duke University's Center For The Arts, The Goethe Institute in Kigali, and in Zurich for FOCAL. Longley has been nominated for two Academy Awards and won three Jury Awards at Sundance - for Directing, Cinematography, and Editing - among many other heartwarming accolades. 35mm prints of Longley's filmed work can be found in the archives MoMA, The Academy Film Archive, the Duke University Archive, Wesleyan University, The Northwest Film Forum and the Library of Congress. A portion of James' income from the sale of these images goes to support the people he has filmed and worked with the past - particularly in Afghanistan. Please visit James' portfolio site at www.jameslongley.com for more photography and films, and to contact him for custom printing or to commission work.
Artist featured by Saatchi Art in a collection
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