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France
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10 x 10 in ($100)
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White ($80)
No. 1 of a limited edition of 5, personally signed and certified In this photographic series, Richard Saint-Amans revisits the main biblical scenes with a symbolic representation of the gospel history as prevailing on the facades of churches until the end of the Renaissance. Transgressive? Challenging? Barely ! Rather does he make this statement - Yes, I like iconoclasts, provided they are not illiterate! Limited edition photographic print on extra quality paper behind a great transparent plexiglass (Diasec). This technique gives a remarkable depth and brilliance to the work. For added stability, it features a Dibond aluminum base and an aluminum back support for direct wall mounting. For another size or alternative technique, please contact us.
Print:Giclee on Photo Paper
Size:10 W x 10 H x 0.1 D in
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Richard Saint-Amans is a French artist born in 1949 in Béziers. he lives and works near Versailles. Although he has attended art courses in differents schools, Richard Saint-Amans defines himself as an autodidact. His artistic debut as a teenager took him to photography, which he turned aside to create hybrid prints, the preconceptions of which are already being worked on. Arrive painting. His taste for American hyperrealism, Flemish primitives, his background as a photographer naturally takes him to a hyperrealist figuration. He then works on the issue of transparency and glazing in a demanding technical exploration. He ends up feeling cramped in this approach and the concomitant discovery of Japan confirms the abandonment of this path. By freeing himself from the constraints of the technique, he refocuses himself on the line, concentrating on gestures in a quasi-calligraphic approach. Inspired by Hans Hartung, he is interested in signs, traces and other bits of memory left on the walls. Mixing of supports and hybridization still between text and pictorial work. Thus, most of the numbers he walked away the sandstone of his inner paths, he comes to superimpose signs, substrates of an almost forgotten writing, producing abstract compositions, stripping, purifying his line for ever closer of the essence of the gesture, calligraphing the painting in a way.
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