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The Creator Print

Pietro Cenini

Brazil

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8 x 12 in ($49)

8 x 12 in ($49)

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$129
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About The Artwork

An ambiguous optical illusion as in the famous image "My Wife and Mother-in-Law, 1888”, where one can see both a young and an old woman. Although very different, it has inspired this photograph since it is based on the same psychological principle. The human figure can be seen as if it has its back to the viewer (the shoulder on the right is the right shoulder of the human figure) or as if it is facing us (the shoulder on the right becomes the left shoulder of the human figure). However, the position of the thumb being closest to the observer reveals that the human figure in reality has its back to the observer. This image is an allegory of the different interpretations that everyone can give to a work of art. Get in touch with the author if you're interested in purchasing a 32x48in (81x122cm) original from a limited edition of 3.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:8 W x 12 H x 0.1 D in

Size with Frame:13.25 W x 17.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born and raised in Italy and trained in the USA, I now live and work between Brazil and my native country. I take photos of our inner world, of the deep emotions and moods hidden from the eyes. I make them visible and felt.
 My images evoke alternative perceptions of what is visually apparent (synesthesia), transforming visual input into, for example, sounds or scents. A keen classical pianist with a career in science behind me, in 1994 I moved to California, to attend the Brooks Institute of Photography in Santa Barbara. Combining these two facets of my life has enabled me to approach photography in a unique and innovative way. My unwavering technical abilities and scientific accuracy enable me to translate my artistic sensibility, keen sense of aesthetics, and vivid imagination into works of art. I invest a significant amount of time in post-production (an average of 30–40 hours per image and up to 120), often combining multiple shots, although this is rarely apparent and the sometimes impossible physical result still looks real and possible. As an artist and researcher, I follow my soul's guidance and don't stop at a successful style since, to me, it means it’s already been conquered and revealed. Enlargements of my work can be seen on my website www.innovativefineart.com

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