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12 x 6 in ($65)
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Dual Think of two teams approaching the same problem with different solutions and methodology. This might make a nice logo sculpture for a engineering company that proposes revolutionary solutions to very difficult problems. If you like this piece you might like to see more. I have hundreds more in different styles and themes on this site. Enter "Arfsten sculpture" in the search box in the upper right to see them. Maquettes also make fine desk top sculpture and will come with a stone base to sit on. There is also some on you tube that shows it in the round with some conversation to explain things. Search “You Tube Richard Arfsten sculpture” also Pinterest boards “Richard Arfsten Architectural Abstract sculpture”. The major value in these pieces is the maquette aspect. The maquette is a three-dimensional model or blueprint that works to show that the design is accurate and can be built larger. A metal fabricator measures off of it to make the patterns to build from, just like a tailor uses your measurements to make your clothes. When presenting ideas to a client for consideration most sculptors submit a concept drawing on a piece of paper. A maquette is the actual sculpture in miniature. When you lift it up to view at eye level it will depict the sculpture exactly as it will be seen in real life as if you were walking up to and around it. For a small additional fee you can buy the enlargement rights to have a metal fabricator of your choice build it to any size out of any kind of sheet metal. The maquette is lightweight - it can easily be mailed anywhere. Building the enlargement close to where it is to be used saves in transportation cost and import duties and you control all the details and eliminate my supervising fee.
Print:Giclee on Photo Paper
Size:12 W x 6 H x 0.1 D in
Size with Frame:17.25 W x 11.25 H x 1.2 D in
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
I have an ambitious approach to life ... and to art ... make something happen every day ... but most of all have fun doing it! A sculptor first, and now working in 2D, I do my best to do just that. Presented here are examples of some of my work. •• My sculpture runs the gamut from abstract, to figurative, to architectural. The materials and methods used are diverse ... from figures modeled in clay or wax, then cast in pewter or bronze ... to aluminum maquettes (produced by evaporative pattern casting) which serve as the 3D blueprints for the pieces that are enlarged and fabricated from sheet metal of all kinds. •• My 2D pieces range from abstract to figurative. You’ll find Originals done in oils or acrylic, one-of-a-kind monotypes, collages, mixed media paintings, and more ... I love working in all mediums. Some of my 2D work may be available as reproductions on this site. ••• MY FASCINATION WITH SCIENCE FICTION & MAKE BELIEVE - When I was in second grade, television was new and the hottest thing. The "Adventures of Flash Gordon" was my favorite program. There was only one kid in the neighborhood who had a TV. We, all the kids, gathered at his house for every episode. I was a huge fan of the characters. Flash was cool and my hero. Dale Arden was OK but Princess Aura was way cooler because she was naughty. Ming The Mercilous was very interesting. But Dr. Zarkov and his super duper telescope - that could see into time forwards and backwards, far and near - was the star of the show for me. The spaceship was really hoakey. You could see the wire that it was traveling on and the little puffs of smoke coming out of it were a joke, even for me. But the concept of the show was magical. Also at that time there were radio shows about space travel and aliens and monsters. I would listen to those shows with my grandfather as I sat on the floor next to the big wooden box radio so I could get the full impact of the sounds. •• These shows inspired me to draw spaceships, mostly "new and improved" versions of Flash's ship. I taped them all over my bedroom walls. At night I would travel with Flash. We would go to distant parts of the Universe and explore ancient ruins - like what I saw in National Geographic when I was not looking at the bare-breasted girls of exotic cultures. (I think artists and sculptors, are to a large part, voyeurs.) Those memories pop up in my art over and over. •• Faces also intrigue and inspire me.
Artist featured by Saatchi Art in a collection