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ABOUT THE ARTWORK
Ceramics offers a great variety of surfaces and textures. This series of works started as a way for me to find a colour solution for my sculptures. When I’m doing research, I always make lots of samples, which I study, find what I need and then archive. Sometimes I forget about them and have to go back to get inspired. But this time, they started to develop their own identities, forming new compositions and asking me not to put them in a box, but to give them an audience and a chance to live. They became fully-fledged art objects in their own right. Each one is different. I use experimental methods of colouring. The plywood board is painted with acrylic and varnished. The ceramic elements are fixed to the board using bolts. The mounts are in place, so the work is ready to hang. The ceramics are fired on six cones. The colour of the ceramic elements is achieved through a complex glazing method. I would like to point out that the dimensions are given along the diagonals of the rhombus.
Original Created:
2024
Subjects:
Styles:
Mediums:
DETAILS AND DIMENSIONS
Print:
Giclee on Fine Art Paper
Size:
10 W x 10 H x 0.1 D in
Size with Frame:
15.25 W x 15.25 H x 1.2 D in
Frame:
White
Ready to Hang:
Yes
Packaging:
Ships in a Box
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:
Printing facility in California.
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We are a creative couple from Ukraine. Nadiia Otriazha and Fedir Bushmanov have been working together since 2018. They have exhibited their work in Ukraine, Poland, Germany, and Croatia. They created a museum in Dnipro (Ukraine). They are now making sculptures with bright colors and multi-layered finishes. They explore how colors affect perception, creating volume, dynamics, and new visual effects. Their experiments with color give their sculptures a unique character and emotional depth. Nadiia is a curator and painter.
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