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Sue Painting

Colin Mcmaster

United Kingdom

Painting, Acrylic on Canvas

Size: 18.5 W x 23.6 H x 2.8 D in

Ships in a Crate

SOLD
Originally listed for $3,170

2065 Views

28

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Composition 3-dimensional portrait or sculptural painting, made up of a flatly painted wood veneer face, glued together with a canvas board and wood from an old studio desk used for cutting.I wanted the rough and ready, and unpolished scraps of wood to act as a counterpoint to the mannequin like qua...

Year Created:

2014

Subject:
Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

18.5 W x 23.6 H x 2.8 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

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Need more information?

I was born in Belfast in the 70s and after studying at Central St.Martins, have continued to live and work in London. I paint stereotypes rather than individuals, meshing references from the photographic storyboards of romantic comics and their heightened sense of melodrama, with the more sinister undertones of American film noir and pulp crime novels. The subjects are superficially attractive but there is an underlying sense of their narcissism and perhaps even their engagement in acts which the viewer is compelled to interpret as illicit. As a result, the viewer is cast as a voyeur, the perception of what's taking place in the paintings suspended in a double take, in an ambivalence between observation and accusation. Stylistically, the work owes much to the Pop Art movement. The smoothness of the picture surface and the mannequin-like quality of the figures heightens the feeling of artifice and blurs our sense of looking at a painted image. I usually work on panels of wood veneer, framed in linen - a reversal of the traditional materials used. Although recently I have tried to incorporate a more 3-dimensional aspect to my work, producing cut-out paintings assembled from different types of wood veneer cut and glued together, alongside flatly painted segments.

Artist Recognition
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Artist featured by Saatchi Art in a collection

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