VIEW IN MY ROOM
Taiwan
Collage, Photo on Plastic
Size: 41.7 W x 63 H x 0 D in
For me, all chance encounters are unique meanings happening, passing by the current time and space, capturing from the old photos as an unknown character. In the tedious and long collection and creation process, use a very intimate emotion to look at this character forgotten by time. Roland Barthes: A Lover's Discourse, As the text of this work, the entire article was structured by me (paper is cut into different sizes and irregularly placed in a transparent grid structure) deconstructed text in it represents an unencoded message, (the original sentence was divided into different fragments and placed irregularly together) this reproduced information constructs a personal and independent semantic interpretation, although it was originally written, it cannot be read in this work. The meaning of the text itself is absent in this arrangement. For the writing of a pair of lovers, I try to think about the abstractness of the emotion itself and the unexplained qualities. And how to transform this abstract emotional trait has become the most interesting part of the work. The deconstructed text has become a visual mark. Through the arrangement and combination of color and structure, it has a dialogue with the first layer of photos, the text in it becomes the lines of the service screen, and the paper carrying the text becomes a three-dimensional object, which generates some visual rhythm in the interactive stacking structure.
Original Created:2019
Subjects:Portrait
Collage:Photo on Plastic
Original:One-of-a-kind Artwork
Size:41.7 W x 63 H x 0 D in
Frame:Not Framed
Ready to Hang:No
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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Taiwan
Wen Ching Hao’s work attempts to think about how to transfer from one social field to another in the image text, and the impact of an image being copied, embezzled and transformed in different cultural contexts. Explore the death and absence of death and things, by exchanging death, reveal the cruel character of death in an entertaining and enchanting way. Using new media installations, images, sounds, and paintings, the pieces of memory that remain in the frame of the work are translated into his unique deconstruction method, reshaping and recreating a new narrative context, the image is no longer The past is a rebirth after transformation. By manipulating the physical perception practice of each reader, the personal emotional level is awakened again, and we experience a "past-future-present moment" interlaced horizon.
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